Soundboutique

Steneboofs - Simigwado

2012-01-21T12:18:00.000-08:00

I've been getting my African records from a number different sources these days. So much good stuff has been coming my way. It is indeed a shame I haven't had the time to keep up with my own 'new arrivals' section and post them here. But, here I am... trying to do my best to share, because some of this stuff is so damn good it's hard to deny sharing. The organizing and filing at my house has gone from bad to worse. Now being involved with the record shop I'm getting stuff I don't even need or want to put 'IN' the shop and I'm always taking home a treat or two from things I learn about or listen to AT the shop.
The one source I'm constantly still returning to and constantly in debt to is my friend Juan. I know I've done some nice things for him and been there his time of need for at least of few times, but now the shoe is on the other foot. I owe him both credit and proper respect and good ole cold hard cash. One of the records he slipped me at the last record show was this one by The Steneboofs. It's basically Gyedu Blay Ambolley recording this song under the group 'Steneboofs' for this particular release.
I don't know why and think it's quite strange that this song 'Simigwado' didn't make it on the Simigwa album.
Oh yeah, and THIS looks exceptionally interesting...
http://vimeo.com/18737848

But, homie Juan has done some interesting stuff with his research and record digging in Africa. One thing in particular is his interview with Gyedu-Blay Ambolley.

check it out HERE> http://digging4gold.tumblr.com/post/3216534913/first-rapper-ever

I'm also thankful for the awesome Taran aka Fat Headphones for all the African goodness he's brought my way. He's brought some incredible items to the shop and laced me with some dope albums that will be on the pages of Sound Boutique very soon. Things like Joe Mensah, Goddy and one of my faves from Rick Asikpo.

You can check a nice write up about him HERE>
http://www.forearsake.com/2011/10/vinyl-lovers-is-monthly-post-that.html#more

Steneboofs - Simigwado

Sumy - Soul With Milk

2012-01-19T18:58:00.000-08:00

Couldn't help but post this song, although thoroughly all over the net everywhere else. Not exactly a Sound Boutique exclusive is what I mean. And, in fact recently we posted (just last month) another song by this artist.... 'Funking In Your Mind' by this Surinamese artist Sumy. This one is the best from this album, although as I mentioned last time I spoke of Sumy, he's incredibly talented and genre wise all over the freakin' place. And, again...don't get me wrong there's loads of interesting and wierdo fun tracks all over this album including an instrumental of this song called 'Milk Mix'. I did in fact try to track down Mr. Sumy to hopefully get an interview but, whatever web presence he has is outdated.

Sumy - Soul With Milk

Father's Children - Hollywood Dreaming

2012-01-18T17:43:00.000-08:00

This song has been a huge tune for us at Sweaterfunk over the last several years. It's also been a tune that's evolved the Sweaterfunk crew toward the directions of steppers or two step songs. That's been a growing undercurrent for us in recent years. For me, alot of the intense 'boogie fever' that I've had has subsided yet only to be replaced for the love for the smooth slower tempos of two step. Even from our first 'mid-tempo' themed night with Dam Funk (which you can find a recording of right here on SB) we've known the direction of the smoother slower jams would win us over. Our 'Steppers' themed nights have been our version of Funkmosphere's 'mid-tempo' nights. It a place for us to really branch out and steer away from the usual throbbing disco beats, and fall back in the car seat and just ride.

Our annual MLK 'Steppers' Sunday this year was our third installment and as epic as ever. I'm quickly feeling like this direction into stepper land is soon to be the only direction I'm passionate about. Playing tunes to a packed house, a 3 day weekend crowd, and dropping nothing but unknown soul gems is a dream come true for us. It's what we live for.

This all on the heels of an excellent Father's Children release by the Numero Group folks. Beautifully packaged up like they always do including an extra 45 and 3 press photos. So we've found yet another musical group with a huge catalog and much needed exposure and appreciation...Father's Children is that one indeed.

Father's Children - Hollywood Dreaming

Ray Barretto - Ritmo Sabroso

2012-01-04T16:07:00.000-08:00

I don't cover enough Salsa and Latin Boogaloo on this site. At least not as much as I would really like. I wish this blog could be a full time job, but it doesn't pay the bills. Also, writing is a funny thing, if you're not feeling it, then it can be hard to put it to paper. So getting into the spirit of sharing music for me..EASY, getting around to writing a post.. a little more WORK sometimes.

So, in my efforts to post some more 'Latin' I'm offering this fine Ray Barretto tune. It's the flip side of 'El Watusi' which was pinnacle for me and my paths into 'Latin Soul' back in the day of all the Charley 'Caliente' reissues that I got into. It's interesting to me that was so long ago now, and the young cats I see into 'Latin' rare groove are so much more evolved and deeper than me. The game, just like with everything else it seems, has advance and evolved. And, it was a young cat Cameron Thompson who brought my attention to this flip side. He's a new seller at the record shop and has brought in a ton of tasty Latin, Cumbia, Salsa and treats from all over the globe.

It's crazy to me to think these records (We Got Latin Soul Vol 1-3) were back in 1987-88. I was way into this sound back when they first came out. In fact originally all I had was the compilations. It was a bit later that I started to surface the originals. And, got turned on many others through my friend and record dealer Peter (Pete da Greek), that story will flower out of me at some point here. Because Pete had amazing stories and pictures of New York Salsa scene during that time period. Even crazier for me to see the SPEED label stuff come out as re-issues. Man, those LP's were like holy grails..I suppose they still are. But, enough of my walk down memory lane.

I got to meet the great Ray Barretto and see him perform at Yoshi's in Oakland back in the late 80's or early 90's. He was another of those artist who while signing my copy of one of his records gave me that completely puzzled look as if I was from another planet. This was another example of me bringing some ancient relic of album art to his attention. Something that, back then wasn't as much yet a common occurrence. I forget which LP cover it was, and right now I wish I knew, or rather knew where it was. Back when Yoshi's was on Claremont Ave., it was really easy to meet and hang with the artists in the lounge upstairs. It's funny I'm actually on my way to the new Yoshi's in Jack London Square this evening, but we'll talk about that later.
Enjoy this nice, short and beautiful salsa from one of the true masters.

Ray Barretto - Ritmo Sabroso

Harry Templeton - Baby

2012-01-03T04:08:00.000-08:00

Again, another tune I don't know a thing about. But, it's a nice mellow modern soul number with some simple drum machine and nice horn arrangements. Modern soul from 1982 out of the Los Angeles area. Has a style similar to what was being played and created in the L.A. area around that time. In fact sounds a bit like the grooves of Homeboy and the C.O.L. and a few other L.A. acts. I can imagine L.A. lockers doing their thing to this track.

We hope you enjoy this one!

Harry Templeton - Baby

Cyril Neville - Gossip

2012-01-02T03:32:00.000-08:00

Just a nice funk banger from one of the first family of the funk nation, the Meters and Neville family. I brought this to Lower Bottoms the other night and never got around to play it. So, another plug for the Lower Bottoms party and this incredible funk 45.
This came out in two issues, one as a promo with 'Gossip' on both sides, and another pressing with another incredible tune "Tell Me What's On Your Mind" on the flip. Both songs are massive funk tunes and additional pieces to the overall huge Meters story.
Again, this Lower Bottoms party is easily the best party in the east bay. Always packed, filled with a diverse crowd, and folks are always geared for feverish dancing.

Major props to Bobby for designing this killer flyer!

We'll revisit this 45 again in the future to expose this b-side. But, for now enjoy 'Gossip' and its crazy heavy metal style funk groove complete with electric sitar twangin' throughout. Cyril is still performing around the world with his group Galactic and still doing BOTH of these songs!

Cyril Neville - Gossip

Ersen - Sor Kendine

2012-01-01T22:42:00.000-08:00

Hello, and Happy New Year folks. It's good to be back. I picked this up last year at the Santa Cruz record show. I sold a small two boxes at that show and picked up quite a few gems. A few boogie tunes and a small handfull of Turkish Rock 45's. Turkish Rock is completely genius and I've sung the Turk-Rock praises before. All of my travels into the world of heavy rock and psych from Turkey have been fruitful. Erkin Koray, Baris Manco, 3 Hur-el, and now the savage head nodding rock of Ersen.

Ersen has gained some honorable mention and appearance on comps largely for the type of heavy break laden tunes like Gunese Don Cicegim. This is another gem of Ersen's and disguised in a Elton John rip off picture cover sleeve.

It's psych rock with eastern tinges and lesser heard instruments. Always pretty funky, rhythm heavy grooves and almost mathematical rock constructs. Somehow 60's psych and influences like Black Sabbath made its waves on the shores of Turkey, made an incredible impression and never left. And, I mean NEVER left. Turkey adopted the true spirit of psych rock for a lifetime committment and raised it like it's own.

Check out this killer clip of Ersen performing this song...

http://www.youtube.com/watch?v=CDqIqt6yUv0

This tune was one of the 45's I picked up at the record show, which was the last record swap I made it out for in 2011. I hope you enjoy this tune and please seek out the other Turkish Rock posts I have on this blog. I know I've posted something here by Erkin Koray Or Baris Manco but I can't recall which or where at the moment. There will also Be more Turkish Rock from Sound Boutique in the near future.

Oh! And another small important tidbit...I'll be post dating these next few posts including this one to days earlier in the year. Not as to claim I've been more productive, but rather to have more room for posts to appear in their own column. We will be posting everything again as a tradition on our three year anniversary which is coming up quickly as well.

Ersen - Sor Kendine

Stroer - Don't Stay Till Breakfast

2011-12-24T00:01:00.000-08:00

SWEATERFUNK NEW YEARS EVE

Its Friday the 23rd of December. Um.. despite the inaccurate date on the top of this page. Don't know what the hell is going with the blogger's dating order! But, the entire year is just about gone. It went by at an astonishing speed. I've come across some truly fantastic records this year and am currently amassing a list of goodies for next year. It'll be a good year for the blog.

Some amazing things have happened. I've released the first official vinyl 45 on the 'Sound Boutique' record label, kick started a Record Shop with Fernando, taken the next leap with my business, and seen my Sweaterfunk family grow and evolve in epic ways. We're hosting a New Years Eve Party at SOM Bar with Opolopo and Amalia for NYE. We've been gigging with ONRA, Dam-Funk, Steve Arrington, K-Maxx, B. Bravo And Starship Connection, The Pendletons, Dj Spinna, and now are welcoming Opolopo and Amalia for a U.S. debut.

It's been a fantabulous year, and now we're gonna top it off. More of our family of future funkers and extended brethren of Space Soul aficionados. It's gonna be another epic night of Sweater Funkin'

COME JOIN US!
Saturday December 31, 2011
NEW YEARS EVE WITH SWEATER FUNK & LIVE performance from
OPOLOPO & AMALIA [Sweden]
keys. vocoder. efx. apc. vox.
@ SOM
2925 16th St.
www.som-bar.com
$20 Presale / $30 Door
9 PM til 3 AM
21+ Buy tickets here! http://opoloponye.eventbrite.com/

Stroer Self Titled LP from 1979

I've decided to share a rare German electro tune from Stroer, of which I have to thank Randy Ellis for turning me on to. This tune is light years ahead of it's time and I haven't posted anything quite as genre breaking as this since way back when I posted Supersempfft's 'Let's Beam Him Up', which you should definitely check out. It's really hard to imagine this was made in 1979. Also this is quite similar to Supermax, another favorite of this whacked out genre. More Germans obsessed with synths and seemingly unaware of any marketable tendencies. Like true mavericks, dancing themselves right out of the spotlight.

This self titled album is at times folksy and other times funky rock. This 'Breakfast' tune is laying down the foundation for electro, house and techno. Still it does so with a cool calm soft rock approach, I could even imagine the singer in a white blazer and some top-siders. From what I can gather Stroer was a group of two brothers, Ernst and Hans Peter Ströer (often referred to as Hansi), and on later albums adapted to the name The Stroer Duo. They continued after this LP to record a few albums, journeying into experimental, 'out' and fusion. They eventually developed some notoriety for composing film music. They are also still active and have newer releases from 2008 and a re-issue of a 1985 album in 2010. This tune was also featured on the Elaste Vol. 2 LP.

The Stroer Duo c. 1985 - Stroer Brothers with Howard Fine

Hats off to Randy for pointing me to this one, and PLEASE come funk with us on New Years Eve in San Francisco!! We guarantee the usual formula of obscure and mind blowing boogie and modern soul. As always nothing but friendly vibes. And, we're hoping to detour all NYE amateurs!!!
So, join us...stay with us til late. And, unlike the song says...please... stick around and join us for breakfast!!

Get your tickets here.

Stroer - Don't Stay Till Breakfast

Clarence Wheeler And The Enforcers - Right On

2011-12-23T00:01:00.000-08:00

I think I've just figured out why people detest Christmas Music. Because it SUCKS. At least most of it does. It's parallel with the entirety of pop music. The reason it sucks is most of it is churned out and manufactured just for the occasion. Some Christmas music is so horrible the only common denominator is it's Xmas theme. Why am I on this rant? I was out Xmas shopping today and had to endure all kinds of horrible, utterly wickedly bad, disgusting if you will, aural holiday cheer piped above me every where I went. Everywhere. Every fucking where.

So, now onto some GOOD MUSIC. Clarence Wheeler and the Enforcers give us this seriously tasty chunk of jazz funk goodness. A classic and staple of rare groove and acid jazz sounds, this tune I come back to time and time again. Enjoy this NON- Christmas themed music for today's offering. Just a departure from what I have been hearing all day. An aural cleansing if you will. A slick Hammond lead groove. Heavy percussion, piercing horns, and delightful vocals. Just a funky good time groove. RIGHT ON.

Clarence Wheeler And The Enforcers - Right On

Mary Wells - Dig The Way I Feel

2011-12-22T00:08:00.000-08:00

This is a tune brought in the shop by our friend Jesse. There's so much good stuff coming through the VAMP shop. If you're in the Oakland Area you gotta come through. Hit me up here for details or read other posts here that mention it.
I was kind of bred into soul music by the Chicanos and Mexicanos in my hood as a kid. They showed me how to crease my dickies and how to stand with my feet forming a V. I always hated converse, they were uncomfortable as hell. But, a derby jacket and a little pomade and I was good to go. The original San Francisco Miklo. This was a remarkable period for San Francisco. There were still bombs rolling the streets of the city blasting sweet soul music, beige creased dickies and black suspenders. Lowrider and Chicano culture was at an all time high in the Mission district of SF. I also remember once after relocating to the East Bay hearing an incredible Friday Night Oldies DJ on KPFA. The passionate and stylistic voice of the radio announcer speaking both English and Spanish and always embellishing in street slang. That was really a wicked show and that DJ should be a national treasure. Ah, those times I miss.

What really touched me about growing up in the hood and changed my life was the music. The Vato friend of mine from down the street left me with a handful of 45's that forever change my view. Oldies, funk, doo-wop and disco. Some of the most soulful music I had ever heard. Those nuggets left imprints that shaped my tastes to this very day. Parliament's 'Flash Light', The 'Theme From S.W.A.T.' and the hit oldies sound of Mary Wells and many others.

Mary's 'Two Lovers' and 'Don't Beat Me To The Punch' were in that beginning stack of 45's and were constantly played on my fisher price turntable. Still to this day I love that sound. As much as soul music and oldies are embedded in my soul, so was my love and respect for Chicano and Lowrider culture. It's no wonder that the two interests are so infused with each other. The devotion in the Lowrider and Oldies scene isn't any less intense than the manic and obsessive Northern, Deep Funk or Disco Scenes. We're still basically talking about records here. So, as you can imagine it's just as fathoms deep as any other record collecting circle, maybe even deeper.

When the wifey and I went out recently we stopped by the Casanova for an Oldies Night and release party for the Souleros Crew's piece in Wax Poetics and we had a fantastic time. Some of the nicest and friendliest folks I've met and a night of killer tunes. Some even I had to shout across the dance floor to any willing ear to tell me what was playing on the turntable. Great unknown oldies, Lowrider classics, Chicano Rock, and Latin Boogaloo groovers were being played.
The Souleros family host parties and dance nights with events featuring 'The Baddest Chola Contest' and performances from groups like Myron & E. These folks are doing it big and keeping the harmonies and sweet soulful sounds alive and well.

Not a good pic by any standards, but a terrific night of soul

The always visually pleasing art at Casanova

Here's another fine tune by Mary Wells. It's from the same period as her 'Serving Up Some Soul' album for the Jubilee label. She had a hit on that LP with the tune 'The Doctor'. This was in 1968 long after she had left the Motown and Atco labels. In fact she had jumped aboard 20th Century as well for a short period, I think one album. This was her last volume of work before she completely abandoned the recording business. Mary had an incredible career of legendary soul tunes. 'My Guy', 'You Beat Me To The Punch', 'Two Lovers', 'The Doctor', an album dedicated to the Beatles, and a duet with Marvin Gaye...this gal has an impressive catalog to say the least.

Mary Wells - Dig The Way I Feel

Marv Johnson - With All That's In Me

2011-12-21T01:02:00.000-08:00

Had to dig this one up once I started reminiscing about the golden mod days. This was a favorite of mine to bump on the incredible powerhouse of a sound system at 330 Ritch St. in San Francisco. For a few years Kirk Harper, Kitty, Joe Silva and I hosted a 60's and 70's soul night there. Back when I could fit into a 3 pc. suit and spun around and boogalued like nobody's business!

This is quite a thunderous stomper and a bit haunted like most of the stuff I really like. Sounded so good nice and loud. A great piano riff and some murderous backing vocal lines delivered by some unknown soul sisters that literally burn it up. This has that real early Ray Charles style swing to it and has been a difficult 45 to track down. One of my faves. Hope you enjoy.

Mr. Marv Johnson

Marv Johnson - With All That's In Me

Willie West - Fairchild

2011-12-20T23:40:00.000-08:00

Got a strange and funny story for you today. Back in the day, right before eBay there was a gentleman that held auctions for rare funk, soul and R&B 45's. I'm embarrassed to say I don't know his name, maybe some of you will recall the fellow I'm talking about as you read on. I'm ashamed I don't know his name partly because I was so enamored with his service and thought he was pioneering the sale of 45's in his own way. Now, maybe there were other folks that were doing a similar thing, but this was the first AND last time I had heard of such a thing. Again, I can't recall his name, but if I were to dig around in my acres of junk I might find it, or some trace of his service. But, I was sad when he announced that he was retiring. I had tried to convince him that he could take his same formula to the likes of eBay, which mind you, had evolved and become a major source for rare records especially in its infantile state by the time this man retired.

This service involved getting on a mailing list, which involved paying a small fee, and receiving in return for the fee a cassette tape with clips of rare 45's to be auctioned. There was a list that accompanied the tape, it was meticulous and very organized. You had some time to digest the list and the accompanying tape, as I believe if I remember correctly the auctions were held once a month.
The craziest thing about all of this was the way the actual auction took place. You had to call this guy at a certain time and blindly bid against other bidders over the phone. It was a really strange situation, both memorable and unique.

I don't know where this man was getting his 45's from, but he was doing an excellent job. The audio clips of the 45's was an incredible idea. Sure, even back then, I knew what I wanted and most titles I was looking for had certain qualities. But, it was an excellent way to get turned on to new stuff.
It's funny to me now to hear about how someone has to go home or be at home for the end of an eBay auction. Not because I don't.. but, because it reminds me of those days when for a few hours on that very night I couldn't do anything. I couldn't bother to be distracted and I certainly could not take ANY calls. The pressure was enormous to frantically get what I had wanted. And, even the concept of listening to tapes with 30-45 second sound samples is mind boggling. Of course if you've know me for years, you've probably never heard this story. Partly because it was my secret little treasure trove of soul goodies.

If you're reading this and YOU'RE the man I'm speaking of. Please say 'Hello', but more importantly please excuse my grievous error of not remembering your name, your business or service name.

This is the story of how I discovered Willie West. Long before he was comped by the flurry of New Orleans funk and soul volumes of re-issue action. This was a regional record, and I might have never discovered it without this dudes most excellent service. What I got first was the promo copy white label and for a while I had not seen a regular release. In fact I came across another promo before I saw anything else. When I first heard this 45 on one of those tapes, my mind was completely blown. I HAD to have it. I just about lost my shit sweatin' over getting this goodie. I did win it, can't remember for how much, long before the ridiculous prices on eBay and I played the crap out of it. I played it at my mod gigs, but at the time there were fewer funk 4 nites and most mods wanted to hear 60's soul. Still I played it and quickly cleared the floor, both because it was a slow funk churner and totally unknown. But, what a great tune. I'm glad it's resurfaced and folks have found out about Willie and the tune has gotten some play and much deserved attention. Goes the same for the career of Willie himself.

Willie cut a few other 45's, one of my favorites being 'Hello Mamma' for the Deesu label, another fine New Orleans label. Everything Willie cut was tightly aligned with our other hero's the Meters and the Toussaint and Sehorn gang. It seems Willie was another in the camp and was being pushed by that early funk family where ever they could. His singles don't disappoint if you're searching for that sound. We'll rip 'Hello Mamma' for a future post, I promise!

Willie now has a few other records out on P-Vine and Timmion Records. Some excellent stuff there too. Some unreleased material that is incredible and some new material that is just as amazing as his old stuff. Which by the way is incredible if you can get your hands on it. We'll have to revisit the Willie West sound as the 'Don't Be Ashamed to Cry' 45 is a tear drenched haunting soul song. There's other amazing early R&B that Mr. West has as well. Well, not enough time, but another superstar of the New Orleans soul story. He's still around as far as I know. I've heard he's playing and performing out these days. I hope to catch him some time soon. A true secret treasure within the depths of deep soul and New Orleans funk!
right on Willie, we love you here at Sound Boutique!

Willie West - Fairchild

McIver - Trying To Be True

2011-12-12T22:30:00.001-08:00

Been waiting to post this one up. Not gonna be a long story here as I don't know anything about this artist. This has been getting a lot more exposure recently, and painfully that coincides with higher prices. It's well worth getting more notice, but may be slower catching for most peoples tastes. It took a while for the hook and backing vocals to grow on me.

This is quintessential modern soul. Written by Richard Turner and affectionately the publishing is credited to 'Turner-you-on' music. It's also a prime example of mid 80's modern soul sound. Smack dab in 1985 to be precise. This is also a New York city record that makes me wonder what the club scene was really like in NYC during the mid eighties. There was so much going on in punk, funk and emerging hip hop cultures. I can see how this subtle groove fell by the wayside. But, I can also easily imagine a New York club getting it as thoroughly as the folks in THIS clip.

Far as I know this is a premier 45 for us. Earlier this year when I got it, I couldn't even find it on youtube. Often times that's a huge compelling factor in what I purchase. If it's not really uncovered yet, I'm liable to snatch it up before it really gets expensive. I also checked around and couldn't find this on any other blogs. So, another world wide premier for you here on Sound Boutique. We work hard and dig deep to share goodies like this with you. We hope you enjoy.

McIver - Trying To Be True

Barbara Mason - Ain't Got Nobody

2011-12-11T21:40:00.000-08:00

Back to the swing and finger snaps of a good Northern dancer. Hot off the wheels of another killer nite at Lower Bottoms. This was as easy pull straight from my box of unplayed stuff that I brought. Songs I didn't get around to playing. Funny how you can bring a small box of 45's and still NOT play everything in it. Let me say again, how much it is to spin amongst the LB crew. I totally dig each of the other DJ's styles. In particular, I love Bobby's acid drenched funk, Adrianne's sweet and groovy soul and Joseph aka Trick Baby's completely unpredictable style. Always a good time and like I've starting saying lately, this is the best combo of hipster and homeless with a crackin' sound system I've been to since our very own Sound Boutique club.

From start to finish Barbara Mason has had huge hits and a knack for writing perfect little soul pop tunes. She's penned killer oldies sound with 'Yes, I'm Ready' in 1965 and brought the boogie back with 'Another Man' in 1984. Just an example of how lengthy and prolific her career has been. I'm happy to report Barbara is alive and well. Still singing and knocking the socks off of soul fans all over the world. This is just a small offering from Barbara, and we'll delve into much more of hers in the future.

I hope you'll enjoy this nice and smooth dancer from this legendary Philly soul queen.

Barbara Mason - Ain't Got Nobody

Tony Clarke - Ghetto Man

2011-12-09T00:25:00.000-08:00

Tomorrow night is all about Oakland. My funk brothers, the keepers of the Lower Bottoms District in West Oakland, throw their massive wacky party that's a fine mixture of homeless and hipster. It's of course, simply called 'Lower Bottom's Funk and Soul' and is one thee best parties around.

I'm really glad to be back with this crew, I've missed them quite a bit, and I've got some really tasty tunes to get off my chest. This Tony Clarke smoker is one of them. Nothing new on most deep funk heads, but regardless a great tune. I just recently stumbled across another copy of this and decided to throw it in the box for this night.
Tony was a sincere entertainer, a freight train of soul, and put out a lot of steam from 1962 until his death in 1970. He put out about a single every year. I know Tony from his first single, which was also the first single I heard from him, entitled 'The Entertainer'. It was a smooth sweeper big on the mod and northern circuit released in 1965 on Chess. This single 'Ghetto Man' is worlds apart. It's from 1967 and on the Chicory label. Another big Northern and Mod favorite was his huge production and wicked dancer 'Landslide' also recorded for the Chess label. This gives you and idea of just how dynamic his short career was, and what an immense powerhouse he was.

Please look up Lower Bottom's Funk and Soul, and Revolution Cafe to come and join us this Saturday. They serve food. hint hint. And, the place is decorated like a 60's and 70's exploitation film from hell. The Boys at LBF&S have made it very important to play their tunes through the biggest loudest sound systems they can find, so if you enjoy hearing funk and soul LOUD...this is indeed the place to be. We'll be going very late, like we always do. So even if you've got other plans we're a good party to join up with on the late night tip. Sloppy seconds has never been so good.

Tony Clarke - Ghetto Man

Dohnnie - Dancing Is Your Love

2011-12-08T20:15:00.000-08:00

It took me much longer than most to really 'get into' disco. I remember heads were nuts for disco and I was still stuck in a funk rut only stretching out into rare groove. Rare groove was about as close to true disco sound as I was willing to get. I'm still kind of that way. I'm still super picky as to what disco tunes I can endorse. I understand it, and it's all dope to me, and I'm not hating...but, you'll see here on this blog pretty nominal traces of disco. My homies were getting knee deep in Patrick Adams and the Peter Brown sound, but I never really went crazy for it the same way as them. Sure, I'm in love with 'Guardian Angels Watching Over Me' as much as the next man, but never ga-ga over the entire catalog.

This Dohnnie track is one of those exceptions. This is the kind of disco tune that I can fully endorse. So, in a lot of respects the time has definitely come. I'm as into the disco sound as the next head. Furthermore, I'm quite partial to a lot of the Disco Rap I'm discovering. This particular case there's more emphasis on song structure and changes, bridges etc., so this could be considered a R&B jam dressed up in a disco style. There's wicked bongos and a constant perculation of backing rhythms. Combined wah-wah guitars and excellent bass playin' with hand claps makes for a perfect formula for breakers and that's what I imagine for this tune. Like a breakin' scene in a Fame or Flashdance style cheesy 80's movie. Peep the Moog solo at the end. Even me, a minor disco fan can enjoy these disco style backing vocals when properly sprinkled throughout. It's a good tune. I'm sold.

I played this tune at the last Grow Up that I dj'ed. I had a good time that night and they recorded the mix. You can find it here. Randy Ellis had invited me to spin and I'm glad I did. I almost had to cancel. It let me branch out in a few areas I don't normally dabble in. Randy is also one of our newest sellers at Vamp. He's brought good shit in the shop, and been about strictly dope music in my eyes. As you'll hear from the recorded set, it's a bit janky and dis-organized. I really didn't have time to put together what I wanted to play. My Mom was still in critical care at the hospital at that time and when I got records together for the gig I just grabbed EVERYTHING. Ended up being two chock full crates. I ended up only playing 1/4th of what I brought. The stress and turmoil I was going through caused me to over pack. This is why I almost pulled a no show, I almost couldn't make it happen. There was just too much crazy shit going on for me. But, SO glad I came through and did it. The crowd was all about love and people seemed to enjoy my crazy shit. I would have liked to spend a little more time putting my set together, but I still played some good tracks.

So, here's the Grow Up set I did....
Grow Up - Sean Boogie
and, here's the Dohnnie track...
Dohnnie - Dancing Is Your Love

I'll be guest spinning in February 2012 again at Grow Up and have promised all new goodies to share.
It'll be fun. I plan to branch out even more delving even further into italo, disco, disco rap, and electro. Stayed tuned...more deets to come as I'll plug it again a little closer to the date.

Big props to Randy Ellis. He's putting together dope shit left and right and quite the savage behind the decks. Always incredible tunes. And, oops almost forgot to mention his fantastic label of newer boogie, electronica, and future funk>> VOLTAIRE RECORDS!!! check it!

Grow Up - Sean Boogie
Dohnnie - Dancing Is Your Love

Lijadu Sisters - Life's Gone Down Low

2011-12-08T00:27:00.000-08:00

Thanks to Taran and the folks behind Fat Headphones we had this treat and many other rare African records in the shop at Vamp. I quickly took this one home for myself. In my eyes not the very best Lijadu Sisters album to have, that would be the 'Horizons Unlimited' LP in my opinion, but this is still a great one indeed. Probably most desirable now after getting exposure on the well known 'Soul Boulders' mix CD. That's what brought my attention to this gem of a track.

A lot of amazing records Taran brought into our shop and surprisingly they just sat on the walls. I suppose there's just not enough big ballers out there these days to scoop these up. These LP's were priced to move though, and a few have moved quickly out the door. There's still some really good ones in our shop, and if you dig Afro-soul-funk-rock-highlife albums you should really stop by. Joe Mensah, Christian Essien, Veno, and Apostles having been on our walls recently just to name a few. So, again, a shameless plug for the Vamp record store and a big thank you going to Taran Escobar-Ausman who is one of our newest sellers. We're super proud to have him.

Lijadu Sisters - Life's Gone Down Low

Sumy - Funkin' In Your Mind

2011-12-07T22:16:00.000-08:00

Here we have one bit of sleaze funk from bizarre euro-tripper Sumy. Originally from the Netherlands, but of Surinamese descent, he started his own label Galaxy and put out a string of interesting and odd ball tunes. Often covered with hand drawn art and hand made looking covers, it only added to the appeal of his home spun funk. This particular tune has a more polished look and sound and was picked up for the Philips label. The driving beat and loopable groove is polished but, psycho (like the rest of his work) nonetheless.
With affectionately named tunes like 'Escape From The Earth'. 'Where Were You Last Night (Sexy Lady)', and 'Bitch, We Danced A Lot' it's easy to see that Sumy is a funker on an entirely different level.

This release was only available on a single, but his LP 'Trying To Survive' is quite sought after and good and cheeky throughout. Mostly because of the wickedly catchy 'Soul With Milk', another genius goofy song title, which is probably his best tune in my opinion. I feel like it was used by somebody in Hip Hop... Perhaps the Common song of the same name?

We'll feature that song and a few others from the LP in the future but, for now we'll share this head nodding weirdo groove complete with goofy early 80's rapping. It's almost a perfect candidate for a Halloween mix. A bit late for this year of course, but hopefully you'll enjoy it anyway. I was away during that time anyways, perhaps you'll accept this as make-up homework.

Sumy - Funkin In Your Mind

Howard Tate - Stop

2011-12-06T22:53:00.000-08:00

Damn. I can't believe it. Another one of my true soul hero's has gone. I just about cried when I heard the news. I couldn't believe it. I met Howard back some time ago. The timing was strange and I was visiting some family on the East Coast. It just so happened that he was playing a fair or festival near by and even more amazing my Brother, Andy Hess, was playing bass with Tate's band. We chatted about what songs he had to practice for the gig, and thanks to my brother, I was a shoe-in to hang and meet the great Howard Tate. Stoked that even my daughter got to see this massive soul legend.

He was never a legend in the sense that he got his fair shake. His masterpiece of a soul album never got the appropriate push, and Howard, quite possible one the greatest souls singers on the planet, fell into obscurity. Not with true soul heads mind you. Both Soul enthusiasts, musicians, and record nerds alike knew about Tate's music. Then AND now. But, we are in the minority.

In 1967 the Verve label released Howard's "Get It While You Can" album and gave it a luke warm backing. It was a thunderous masterpiece of astonishing soul power. But, Verve dropped the ball. Perhaps the label was busy with other projects.

Nevertheless, without a big push record sales were weak. And, Howard Tate was NOT a household name. Two subsequent albums didn't fair any better and Howard eventually quit the biz.
Trouble tightly traced Howard's life after that including the tragic loss of his daughter to house fire. He suffered an additcion to drugs and was homeless for a stretch. Eventually Howard pulled through on his own, became a minister, and sought to counseling those who were afflicted with the same condition.

It was miraculously the same soul devotees that found out what had happened to Howard that brought him back deservedly into the limelight. A mixture of several soul enthusiasts and radio deejays found out that Howard Tate was alive and well and sought to bring him back. Conversations about the extent of how much he was missed, loved and appreciated for his music convinced him to return to the stage.

He enjoyed close to the entire last decade performing and recording again. Walking out onto stages filled with appreciative crowds and standing ovations. Even his partner in the "Get It..." album, Jerry Ragovoy reunited with him and recorded 'Rediscovered' in 2003. Howard had a good run before his passing this past December 2nd, and was well loved by the soul community. We will forever love you and your music. Rest in Peace.

This song is NOT on the original 'Get It While You Can' album, and was only released as a single. It's a rarer song by Howard and doesn't make good sense to be excluded from the original album. But, included here for you, of course, as the rarer gem that you must hear. Both 'Stop' and 'Shoot 'em All Down' are nothing short of wicked powerhouses. Just as the entire LP is a solid stellar and amazing work of soul genius. Both Howard's incredible talent and Ragovoy's amazing writing contributed to one of the most important and incredible missing pieces of soul music vinyl grails.

Howard Tate signed my copy of this picture sleeve 45 back in 2004

Howard Tate - Stop

Joe Bataan - Call My Name

2011-11-30T10:58:00.001-08:00

Joe Bataan is a king in my world. I'm a HUGE fan of this cat. Been in love with his brand of early boogaloo since my youthful mod days, he's turned my head around like Linda Blair with his unique salsa funk, and he continues to melt me with his 'oldies' sound. To say Joe Bataan has made some noise within Latin Music would be fair, but rather Joe's been more like a cataclysm, shaping and changing things along the way. He's been down since day one, I believe he started in New York at a very early age, coined the term 'Salsoul', proclaims having the first rap record, and undeniably been responsible for gaining a wider audience for Latin Music.

I was first introduced to Joe via a few compilations called, I believe, 'This Is Latin Soul' on Charley's Latin reissue label Caliente. Those comps fed a fire that burned out of control and sent me into a salsa and boogaloo buying frenzy. Joe's records, however, always seemed to hit the hardest with me, and also work on other levels. He never made a boring LP, always mixing it up and even when in the confines of the early boogaloo sound, he always attempted to branch out.

This particular album was masterminded by Daniel Colas, who rediscovered Joe, brought him back into the limelight within the loving arms of the rare groove community. Daniel found he was still in the New york area and began to work with him. It's a throwback into earlier years of Joe's sound and although a modern record, it deploys an arsenal of older sounds. In some respects this is easily the lost Joe Bataan record that never was. It's stained with all of the qualities we love and have always wanted from a JB album. Released on the Vampi Soul label in 2005 it re-familiarized everyone with Joe's music. I got reminded of this great album when Joe came to San Francisco recently to perform. Having met him myself I can say he's truly a sweetheart of a guy and full of incredible tales of his life. A true treasure of the music world.

Joe Bataan - Call My Name

Funkadelic - Better By The Pound

2011-11-29T23:39:00.000-08:00

Most funkateers know this album in and out. If you don't know it, you should probably drop whatever it is that you're doing and go get this. Even if that means you stop reading this blog right now. This is an album I got recently to have in stock at the Vamp record shop. As a kid at my neighborhood record store this was a major turning point and fathoms deep rabbit hole of an album to be exposed to. I must have been 17 or 18 years old. Working at the record shop has brought back alot of the community and relationship back to sharing, exposing and learning about music for me. This record in particular I think should be a staple for our shop and is a milestone for anyone curious about funk. You could easily contend that many other Funkadelic LP's are worthy of the same noteriety, also being incredibly versatile and ingenious pieces of higher funk 'art', yet even the die hard Funkadelic fans would agree this LP opens up a serious can of whoop ass unlike many others. It's more polished than it's predecessors, and seems to flaunt more studio trickery than previous LP's. And, gracefully pushes boundaries, something they always enjoyably do, but stretch new webs with stuff like 'Mama be my beach' and what could easily be the FCC's worst nightmare with 'Shit God damn get off your ass and jam''.

I'm not even touching on the incredible musicianship on these albums. These cats were the top of the creme of the crop of the funk world. All wickedly talented and sharp with their instruments, and constantly oozing with creativity. But, it's that slick, and crafty ingenuity that is woven throughout all these records that sets them a brand apart. Still does. Honestly I could go on and on about this album. Or, any album by Funkadelic or Parliament for that matter. This camp of funkateers never ceases to amaze me. And, when the 'themes' and 'jokes' and 'language' they create repeat, compliment and paint a broader larger picture they give way to a deeper experience for listening.Their overall body of work is stunning.

But, there's something even deeper that comes from any entry point into the world of the Parliament/Funkadelic thang. Meaning more or less that there is no wrong album to start with, they are ALL amazing. They are incredibly ingenious and individualistic musicians that have left a legacy that hasn't even been close to being even remotely touched. This is why it is such a treasure to share this group, especially when it's held up to the standards of what is today called 'music'.....nothing comes close to our forefathers know as Funkadelic. Now hopefully you can tell your kids what's up when they ask you.. 'Mommy, what's a Funkadelic?'

Funkadelic - Better By The Pound

The Sylvers - Fool's Paradise

2011-11-21T22:38:00.000-08:00

Back to basics here...a little more back down the road of organic and less synthesized tunes. I had to start back with the blog for bunch of boogie and modern soul posts, but changing gears yet again. As always I try my best to keep it fresh and interesting bouncing all across the spectrum's of music.

One of my all time fave groups is also another classic example of undiscovered talent and lost and forgotten groups. Another example of a group only slightly registering on the radar, but deserving of still an even deeper and more proper exposure. Wholeheartedly the Sylvers could have been a super pop group to easily content with the like of the Jacksons. In fact, they did. By most accounts the Sylvers existed right alongside them and had a long history of doing so. It's just one of those cases where every-fucking-body knows about the Jackson Five, and yet...almost nobody 'seems' to remember the Sylvers. In fact, when deejays play the Foster Sylvers track "Misdemeanor' most will think it's Michael Jackson rocking with the Jackson Five. I guess on the upside that's a great compliment. But, for me it may have stifled a groups potential to always be over shadowed by another super group. And, sadly may have lead the Sylvers in a more pop direction, instead of a more 'artistic' one. This LP is a prime example.

The Sylvers had immense talent too. And, in fact their eldest member Leon Sylvers wrote and arranged a multitude of stunning soul songs in his early years. Possible only 18 or 19 years of age, he penned hit tunes like "Wish I Could Talk To You" and laid down incredibly deep textures and phenomenal arrangements in song like "Fools Paradise" and "I Know Myself". These are deep both in message and psychedelic atmosphere.True favorites among break beat and head nodding funkateers.
The youngest member Foster, had two solo LP's and the group changed members throughout the years. They started with 6 members, outnumbering the Jackson's by one, and eventually out did them with being nine members strong at one time. Sylvers family members were popping up outta nowhere. But, thank goodness for them. They also struck another piece of gold with a later 70's hit 'Hotline' in the middle of their disco era.

Leon Sylvers grew to become one of those most important and influential writers and producers in soul music. His mark on soul and R&B in the 70's and 80's is enormous. This is one of the great unknown soul albums and is relatively available. The production is genius, the song writing staggering, the talent endless. Just about every song on this LP is fantastic. You should seek it out, if you don't know it already, and blast it on a Saturday morning and chill with your sweetheart. This is that kind of soul record. Not enough of them as far as I'm concerned.

The Sylvers - Fool's Paradise

Alisa Randolph - Put That Thang On Me

2011-11-21T00:55:00.000-08:00

Had an impossible time trying to track this one down, mostly due to people everywhere incorrectly listing her as Alisha Randolph. Take the the 'H' out and it's a game changer. A hopelessly 'rare' tune becomes a two dollar LP. Just like that.
This is my ode to a fellow collector here in SF. He's also an alumni of our extended Sweater Funk Family. You see, our good friend Joe Vargo has been plastering that book of faces with a brand of 'Street Soul' or 'UK Street Soul' that's been catching his fancy. It's been peaking our interests too. I've also been finding more and more later 80's grooves that have been appealing to me. And, additionally venturing into what sounds like early New Jack Swing. I haven't really found the thread that ties my love for boogie and late 80's soul into a venture in the 1990's, but this may be the first, or rather the first exception. Usually a beginning to an evolution of another chapter of my developing sound when I find a cut like this. Or, more specifically a start into another realm of tunage. Some can hack it. Some can't. Some don't even understand.

What's so wicked about this tune is the catchy lil' phrases about 'being late' and 'having coffee tea or me'. I only wish I could speed time up and find the other goodies waiting in this certain pocket of music history. But, all in due time. There will be more I can feel it.

Alisa was a member in the female outfit Madame X. She's also a bona fide fox. A beautiful lady with immense talents. Sadly she passed away back in 2005. So, now here at da' boutique we have this fine lady belting her way through this heater from 1990. Yes, from 1990. Alisa Randolph. Put That Thang On Me. Enjoy it.

Alisa Randolph - Put That Thang On Me

Eddie Capones Treatment - I Won't Give You Up

2011-11-20T03:51:00.000-08:00

Eddie Capone

Busy Weekend. Flying around so much that now my body is catching up with me finally resting on the couch writing this. B. Bravo and K-maxx tore up a wicked show at Som Bar. And, tomorrow (today rather) we've got Tres Lingerie joining us at the Lipo Lounge. Johan and Jordan always have wicked good tunes. Sorry to use any out-dated slang here. I've just been given the business by Rooky Ricardo's Records owner Dick Vivien about ridiculous and idiotic over used slang terms like 'dude' and 'awesome' so I'm assuming 'wicked' falls into that category too.
If I had any reservations about posting this tune here, it was then properly backed and fully endorsed by the wife and so now here it is for you. I've been playing it a bit around the house. I do however go through tunes quite quickly. This is something I've mentioned here before. Once a tune makes it, and kinda creeps into the regular playlist of someone else, I get a little tired of it. I'm an addict, so it's no surprise that what I'm really addicted to in Djing and music sharing is that intimate relationship with obscure tunes. Like my own personal affliction. But, the wifey spoke up tonight when we came home and said she 'liked this song', so after playing it at Sweater Funk maybe ONCE, it's time to put it up on here.

Another issue of this song on the PRT label listed only as Capone

Don't know jack shit about Eddie Capone but the treatment is quite nice. It seems he was a reggae recording artist. And, the original label that this song came out on was his own, Treatment Records. Diane Jones is credited as the lead vocalist on this, but other than this being a brit-funk boogie monster, I know nothing. I keep enjoying this tune more and more tho. It's big and powerful with a general happy feeling. Not sure what to call that crazy horn section riff that almost verges on some kind of 'latin' influence. It's arranged really nicely and has this stomping break beat throughout. My jury is still out on this singer, but she's most definitely going for it and giving it all she's got. Leaving nothing on the cutting room floor. I have no real idea why, but this somehow reminds me of the Cool Notes.

On another note...These guys... Tres Lingerie
...will be rockin' with us at Sweater Funk this Sunday. That is tomorrow, or tonight. Depends on which side of the AM you're on.
check them out!
James Anthony and Tres Lingerie on Beat Electric TV Dance Party

And, here's the Eddie Capone jam....
Eddie Capones Treatment - I Won't Give You Up

Leroy Hutson - Paradise

2011-11-18T17:31:00.000-08:00

A few things have been simmering in my world, amidst the fight for family health, I got involved in Vamp the record shop, the art and consignment spot I just posted about, and also have now put a release out on my own imprint label Sound Boutique. You'll hear more about that in a few posts to come. Gonna need some room to expand on that whole story. But, first the record release party already happened and was held at Sweater Funk. It was a fun night with a guest set by Ben Johnson, a special guest appearance by Luke Holton of the Nightwind band (whose release is the first project for Sound Boutique) and for those that dared stay into the wee hours a special appearance by none other than Dam Funk. Great nite we all had, and incredible music was played on so many levels. We also had several releases on Ben and my record labels for sale. Ben's label is Risque records and he's got some great stuff already out. And, he keeps me in the loop about future releases and they are all sounding super good. Most of this stuff is mastered from cassette tape and never before released. He's also now writing for the Beat Electric site. We'll dive into more about him and Risque Records very soon.

Dam Funk spittin' fire on the mic as usual.

Little know secret about Dam, usually when he's in town he'll roll through and DJ with us. He rocked an excellent set. Such an educator when it comes to Djing. He grabbed the mic like he always does and this time he sang a cameo of his and Baron Zen's Burn Rubber tune. It's a treat for us always to have him. He didn't disappoint with an all 45 set. He never does. Infact, I can safely say...probably the best DJ I have EVER seen. On some many levels he comes correct. Hopefully I'm preaching to the choir, and you're already familiar. This jam by Leroy Hutson was one of the tunes he played, and I felt like sharing it up on here. I really wished we record that nite... Some major magic went down. Ben dropped wicked tunes and Dam killed it as well. Next item to purchase has GOT to be a recorder!!
Every time Dam Funk comes thru Sweater Funk it's like Paradise for us!!

Leroy Hutson - Paradise

Big Tony - Sound Of Music

2011-11-17T21:03:00.000-08:00

Back to Boogie basics here. I have a really nice relatively unknown UK boogie heater for you. This isn't the same Big Tony as the famed percussionist for Trouble Funk. But, this bomb is just as heavy. It;s the flip side of his 'Bubble up' single and can be found for cheap on 7 inch and 12 inch. Don't know too much about him, but you probably heard this on European airwaves if you're old enough. Time for me to unload some newer fresher tracks to my boogie brethren. I know a lot of readers enjoy our chapters of modern and boogie stuff quite a bit.

I think I'll start mixing this tune into my bag for the Sweater Funk parties that are coming up. We've got some big ones that I'll tell you about in the near future. The most pressing one is this Saturday with live performances by Bay Area modern funk outfits B. Bravo Starship Connection and none other than K-maxx. Ken, aka K-maxx will hopefully be putting out a few records on our Sound Boutique Record label.

Just check out the stunning Artwork done by Freddy Anzures. He takes your eyes right out of them sockets. Kills it every time! Just wish he had made a limited edition black lite poster!

Also, please check Tres Lingerie who will be spinning at Sweater Funk this Sunday.
Peace. See you in the streets!

Big Tony - Sound Of Music

Jean Michel Jarre - Oxygen

2011-11-16T20:23:00.000-08:00

I never thought I'd be leaving a record store with a Philip Glass LP under my arm. And, be dying to throw it back on the turntable as soon as I got home. Just never dawned on me that I'd be headed in that direction, or that ephemeral music would strike such a strong cord with me. But, it did. I marvel at how much listening to 'Glass Works' was an incredible turning point for me as it was, and glad to have my newest right hand man there for me. Like a guru or Sheppard in a heavy acid trip. Fernando, my partner in crime, was there to hold my hand and more importantly turn the volume way up while we were working. 'Glass Works' I assure you is best listened to like a good Heavy Metal LP...as loud as possible.

Fernando is also the man behind Vamp, a music and art consignment shop. My biggest recent business venture is combining forces and partnering up with him and delving into the world of the record shop.

I have always avoided working at a record shop like the plague. Mostly for the primary reasons of never making any money, of course spending every dime earned on music itself. And, more importantly getting turned on to TOO MUCH MUSIC and having my addiction for vinyl climb to new and ridiculous heights. So true. All of it. It's a rabbit hole to make other rabbit holes look like, well.. something smaller.

The main bins at the shop and the wall before the LP display shelf upgrade.

So, in my recent travels into the bins of records I've acquired a taste for classical, discovered new loves in jazz, and been mesmerized by ephemeral and mood music. It's a wicked curse I tell you. One of these wicked mood pieces is this classic synth-scape lp by Jean Michel Jarre. And, just how the formula usually works at a record shop, the customers occasionally bring your attention to items. While I'm pricing the things I do know, those folks in the shop are digging for the unknown. And, purchasing the items I'm not yet hip to. And, I always do my best to share and expose them to new treats unknown to them. For me, being involved in a record shop brings back the sense of 'community' into vinyl collecting and redefines the true legitimate 'exposure' in sharing music.

Fernando and The No-good-of-dog store mascot Miles

Vamp has somewhere between a half dozen to a dozen consignors who bring their own unique collections, knack for acquiring, and tastes to the store. We've come a long way since I've been involved 6 months ago and I'm excited to see where we'll be in a years time. It's an exciting project for me, and when you're in Oakland you should come and check us out. We're quite flaky, but we're trying. We're open currently from 12-6 Thursday through Sunday, but you should always HIT US UP FIRST> WARNING: we are often involved in other stuff, and our hours are whimsical at best.
Come check us out... we have RECORDS. Lots of them.

VAMP - 547 Athol Ave. Oakland, CA 94606

So, here's some chunks from Jean Michel Jarre's Oxygen LP, I hope you enjoy it!

Jean Michel Jarre - Oxygen - Part 3

Jean Michel Jarre - Oxygen - Part 4

Jean Michel Jarre - Oxygen - Part 5

Jean Michel Jarre - Oxygen - Part 6

Otis Clay - Too Many Hands

2011-11-15T18:54:00.000-08:00

I love the scratchy throated R&B singers the best. And, Otis Clay is one of the greats. His style, that of funky blues and rough soul, is one of my most cherished and favored. This tune in particular I rocked recently here in Oakland at a party put on by some cats I've newly been acquainted with. This crew I've become aware of this last year is the fabulous Lower Bottoms DJ's and their nite at the fantastic Cafe Revolution.

Honestly, I haven't seen anyone truly hold down a decent funk and soul party in Oakland since Kitty's Wednesday nites almost 5 years ago or so. This is thee monthly party to be at in Oakland. It's been proving that every second Saturday of the month. It's got some truly special elements going for it, and the main cats involved, Bobby, Joseph, Adrianne, and Ben are all fathoms deep into music and a pleasant bunch to boot.

These cats have inducted me into their vinyl fiendy family and I'm happy to join the dysfunctional party scene they've created. I don't roll thru nearly as often as I'd like, but this party is the funnest around. I get my mind blown every time I DJ with them and this party often goes until the early morning light. I'll be guest spinning with them this December on the 11th and I've got some heavy treats to lay on the LB gang. Those whose feet hit the floor won't be disappointed. This party ain't for wall flowers.

Just look at these fabulous flyers and you can see what's going on at these parties. In between caring for my fam, these nites have been my breath of fresh air. The sound system is thundering and the attitude of the clientele is positive and full of energy. Kudos guys... nice party, deep in the funk, sauteed in the soul, in the heart of Oakland, smack dab in the Lower Bottoms.

Otis Clay - Too Many Hands

Tony Comer and Crosswinds - Take Me Higher

2011-11-14T18:22:00.000-08:00

Wow. Been far too long since I've posted here. It's been a turbulent year for me so far. Been a turbulent last 3 years really. I've been heavy involved with my family and taking care of my Moms and Pops. They've been trading back and forth amongst each other with life threatening illnesses. Most of my year thus far has been caring for my Mother in and out of the Intensive Care Unit. So, in relation, this tune has a lot of meaning and special feeling for me. Miraculously my Mom was finally released a week ago, and I'm overjoyed. Yes, things have been better and, Yes, I've gone back to the Gospel music fountain once again. Something a bit of a theme for me, admitting that Gospel music is the one music that pierces through to my heart when times have been hard. It has been a style of music that has been a never ending source of both enlightenment and entertainment.

This is one of two Tony Comer Lp's that I'm familiar with. They are both really excellent albums and worth seeking out. They are both heavy 'commercial' attempts for bridging Gospel with Soul and attempting a stab at a mainstream ear. Hard for me not to notice the parallels with this LP and Earth Wind and Fire sound, as they both seem to be championing big, full, feel-good soul. Huge arrangements and large and lovely majestic messages. This is truly something unique of the late 70's early 80's soul. I think we'll have to follow up with more from Tony Comer and the Crosswinds camp, again mostly because the other LP is also so excellent. And, additionally a juicy 12 inch called 'Don't Give Up" both boasts an uplifting message and a hard head-nod beat in a modern soul feel.
Hallelujah I'm Back!

Tony Comer and Crosswinds - Take Me Higher

Gil Scott-Heron - Free Will

2011-06-16T00:30:00.000-07:00

"the ground beneath my feet - I know was made for me
there is no any one place where I belong.
my spirit's meant to be free - and soon now everyone will see
life was made for us to be what we wanna be!"
-'It's Your World'
Gil Scott-Heron

There's no one I can think of who influenced, inspired, and enlightened me more than Gil Scott-Heron. I've seen him a handful of times since late 80's - early 90's, bought anything he ever recorded, bought his book, tracked down his videos, and overall considered him an intergral part of my musical pathway. Although I think the 'father of hip hop', or 'grandfather of rap' are irrelevant titles that he himself shrugged off, he still made a major impact by including social and political content in his music. He made these tones in music quite hip and cool all throughout his career. His overall vibe was one of instrospection and intimacy ushered in by the revolutionary energy of the 60's and 70's. His heart beat with a blood rich in working class gusto and his lyrical talent and commentary wise and cunning.

I could muster up many more words about this particular musical hero of mine, but I think I will leave the full tribute for another day. Gil knows he was in my heart, and I would be willing to honor him daily in my life. Few cats can hold a flame to what he brought to the table, and did so eloquently for such a long time.
This is one of my all time favorite tunes by Gil, but there are far too many to list.

"Find a shadow cast by rainbows
There you’ll meet the sage.
Feeding rabbits bits of lettuce or cleaning out the cage.
He can give you more direction than you’ve ever known.
Show you your bronzed baby shoes
Now, my how you have grown!
Ain’t it nice to fly? You’re waving as soft clouds go by,
But Peace won’t be still of its own free will.
Say you want to go exploring; you got to find some truth.
Can’t stand one more day of Christians shouting down at you.
You say you don’t dig politics that never was your bag.
People who could run for office wave their private flag.
Ain’t it nice to fly? You’re waving as soft clouds go by,
But peace won’t be still of its own free will
Ain’t it nice to fly? You’re waving as soft clouds go by,
But peace won’t be still of its own free will."
- 'Free Will' Gil Scott-Heron

Rest in peace Gil, you are loved beyond belief...and I thank you for all the incredible music and messages you brought with you. I am eternally grateful and hope that you rest eternally peaceful.

Gil Scott-Heron - Free Will

Gregory Jolly - What'em Doing Is My Business

2011-06-15T23:18:00.000-07:00

This is a seriously bad ass cut. It's smooth and fauwnky as hell. The organ and guitar work together to create a wall of syncopation like some kind of sweet subtle genius I've rarely ever heard. It seems to be yet another one of these solid pimp anthems, like a bad ass super fly disco theme. Mellow, yet hard as hell. It comes with two certified stamps of approval in the funk and disco world, being produced by none other than Calvin Arnold and arranged by famed disco head honcho Tommy Stewart. A secret weapon created by disco kings if you will. Definitely a rare piece in the Tommy Stewart collection.

Tommy Stewart

It's a big grail in my eyes, but doesn't exactly have the recognition of being that of true grail status, mostly due to being relatively unknown. Which I think has proved to help me obtain this copy. Now that I'm letting the cat out of the bag and sharing this, I expect it will climb in price and prove to be even more elusive. I've posted a few sweet nuggets that have had minimal exposure, for example, with no known YouTube action, and then watched them surprise me with exhaustive pricing on eBay. That's not so good for those hunting these records, but good for me. At least it shows that folks are listening and watching what we do. But, like the song says...'What'em Doing Is My Business' and that's for real.

Gregory Jolly - What'em Doing Is My Business

Leo Roy - Pound For Pound

2011-05-26T00:08:00.000-07:00

this upcoming sunday 'we gon' git down'

Here's a slice of disco funk for your enjoyment. Just more Peter Brown discoey goodness. A lot has been going on lately and its a bit overwhelming. There's some exciting things too, but mostly stuff I've got to keep under wraps until its ripe to share. My family is back and in and out of the hospital and Sweaterfunk is in limbo. So far, it's been a turbulent year. As you can tell I've come to a slow roll with the posts and even though I'm making time now, it's gonna be short and sweet. More from me when all the dust settles. Soon my brothers and sisters, soon. Keep the faith.

Leo Roy - Pound For Pound

Roberto Roena Y Su Apollo Sound - Que Se Sepa

2011-05-05T11:07:00.000-07:00

First off...HAPPY CINCO DE MAYO. And, for you white people that's not a holiday for you to go grab 5 jars of mayonnaise and make cheese sandwiches. Even though I'm not sure what Cinco De Mayo is all about I know unfortunately here in America it's really just about another 'drinking' holiday. Jeesh, don't we have enough of those? Isn't it sad that's what most holidays boil down to these days...getting effed up?

Well, we'll take what we can get. Even if we are due a Chicano / Latino month like Black History in February, we'll compromise to have this one day to recognize our brown peeps.
Back from below the belt of the equator in our last post with Jorge Ben, we're quickly back to flippin' a bitch and doin' donuts in the streets of Califa. Latin music and inspiration has always been running through my veins. Being raised above the Mission district (Potrero Hill) in the 70's of San Francisco led to much of my development and tastes in musica. A young vato wanna be passed onto me what his older brothers were showing him. We were both 8 or 9 years old. A quick course in 'How to crease your dickies', 'stand so that your shoes made a V for vato', and to always 'carry a comb in your back pocket' among other things. This same little dude left a bunch of 45's at my house that shaped what I got heavily inspired by. At least in the beginning I was an honorary 'Cholo' and still to this day, hard to fight my love for salsa, Latin soul and lowridin' oldies. Orale.
Fast forward a few decades and I'm spinning entire sets of Salsa and Latin Funk. This tune was an absolute staple of mine. This would, without fail, get the entire club into a heated spastic salsa funk fury. The monster drums at the beginning would cause whiplash for any hip hop or funk connoisseur and the entirety of Salsa dance capability on this one is un-fuck with-able.
This is typical of this era for Fania and camp, scorching horn melodies, superb backing vocals setting the pace, and an arsenal of percussion. While this is standard Fania formula, which was killing it and making them and New York city salsa capital of the world, this tune in particular is atop the list for me.
Mos def in my top 10. Here's also this super rare video of Roberto Roena Y Su Apollo Orchestra doing this song on a TV show. ¡SALUD!

And, as always here's the full (and, quite short song I may add) mp3 for you to enjoy!
Roberto Roena Y Su Apollo Sound - Que Se Sepa

Jorge Ben - Oba La Vem Ela

2011-04-28T23:55:00.000-07:00

Jorge is easily the godfather of Brazilian music in my eyes. And, judging from world wide respect he's endeared very highly amongst heads both high and low. I have a funny story about a Jorge record that I had at one time and somehow let go. After that I vowed never to sell a single record in my collection unless I had a double. It was the LP with the famous soccer song he did called Umbabarauma. Which is also known as Ponta de Lança Africano (Umbabarauma). It might seem insane now, but at the dysfunctional age of 15 or 16 I hadn't a clue. World music was light years out of my reach. I think even at the time I didn't know if the group was called Africa Brazil or what. I remember thinking it was kinda funky and 'kinda' cool, but not enough to keep it. Honestly I cant remember at the moment what I did with it, whether I sold it, trashed it, or handed it over to someone else. There is also a chance it's still buried somewhere in the poorly organized and shite filled collection. Trust me I have a load of garbage records too. Much too many. But, several years after 'misplacing' it brought be great sorrow to know I had let it slip through my fingers. As I became more and more interested in Latin, Brazilian, and rare groove of all sorts, I realized what a mistake I had made. It was this constant reminder the deeper I went into collecting what a giant flub I had made. It was always in the back of my mind as the one record I faintly remember really wanting, but as times could even muster who the heck the artist even was. Of course finding this notorious LP (if only to me) later in life was straight euphoria, it naturally turned out to be dope on dope throughout the album. As we all know now.
I was haunted by a chorus to a world groove song (or so I thought) that had some faint distant chant like Xica da Silva.

This is the album that I discarded and then haunted me for years

Many years later of course I went through a huge Jorge Ben phase and got re-introduced to Jorge and many other fantastic Brazilian artists. But, Jorge for me was always this mystical and elegantly dreamy artist that especially peaked my interests. His music really transported me somewhere else. The song we're featuring today is from an earlier LP than Africa Brasil but, a prime example of his extraordinary talent. Even more importantly a sample of how his music can be a lush and psychedelic dreamscape. Enter into 'Oba La Vem Ela' and you're floating atop the jungle and whisking through it on some magic carpet mushroom ride. Of course i can't stop there and have to include the masterful 'O Telephone' song from this same incredible 'Forca Bruta' album as well. Such a crazy mix of pop and folk. Strings and African instruments. Deep and introspective sounds like a sick emo indie kid wining and crying, yet one who's dancing on balconies and strutting through town at Carnaval at the same time. I 'still' don't know what Jorge or any of these fine Brazilian artists are actually singing about, but it's almost more fantastic to imagine it on your own.
So, I gotta post both of these...Its just too tempting to not do it. Even if if does yield another copyright complaint against us. Two of the best Brazilian songs on the planet. But, fortunately there's worlds more.

Jorge Ben - Oba La Vem Ela
Jorge Ben - O Telefone Tocou Novamente

Madeline Bell - That's What Friends Are For

2011-04-21T23:32:00.000-07:00

Copped this the other day and was surprised I had never had an original of it before. I'd had the Glucklich comped version and of course nabbed the Jazzman re-issue, but somehow never picked up this LP. It reminds me of the broader kind of 'world' inspired rare groove stuff I used to play, and in fact I'm retreading over some more territory in the Brazilian area lately. This jam is light and fluffy and reminiscent of carnival. Madeline holds it all down with a beautiful sophistication and exquisite class. The rhythms and melodies are Latin, Brazilian, Cuban and African. If it's a 'world' sounding groove, then fine. But, it is indeed a groove of 'world class' brilliance.

Madeline is originally from Newark, New Jersey. Like many soul singers she started in the church. She went on to great prominence in gospel with The Glovertones and Alex Bradford Singers. She was a center piece in the notorious rock/pop group Blue Mink. Blue Mink was an incredible diverse group musically with a racially mixed front force of two singers that might have been inspired by groups like Chicago.

Her solo LP's are highly sought after, and of the snippets I've heard, the early ones are particularly amazing. Although, I still haven't tracked them down yet either. She had the chance to record with the esteemed Wadsworth and Mansfield team. She churned out some monster soul tunes and a few northern floor burners. Just leaves more room for us to spotlight her career for future posts. What an incredible voice! SIDENOTE: I hope you'll enjoy our new 'old magazine' style layout...peep the club picture in this above YouTube clip..you'll also see the ad from an old Blues and Soul Magazine for 'The Cats Whiskers' club.

She's still active today and performing. She made most of her moves in Europe and can't be denied her place in soul history. Even Dusty Springfield sang backing vocals for HER, and became president of her fan club. Word. Madeline Bell part uno. More to come.

Madeline Bell - That's What Friends Are For

Apostles - Feeling Happy

2011-04-17T10:33:00.000-07:00

Heading to a record sale here in a few hours. Looking at the list of sellers, it's gonna be a great show. Lots of breaks, funk and music from all over. Everything from African to Latin to Indian funk should be well represented.
For address and additional info check here....
Huge Record Sale
http://sfbay.craigslist.org/eby/gms/2326823926.html
As record sales seem to get better and better, it's tending to be as a result of being in younger hands. The staunchy old 'oldies' collectors have less and less of what we're really looking for. The younger cats are taking over. More and more record hustlers are selling quantity and setting up shop on ebay and discogs with quality. It's refreshing to see this many sellers at a swap and even more exciting that it's here in Oakland. It's from 12-4pm and even better that folks don't have to get up at the crack of dawn. I'm still wishing for a PM or nite swap like our folks up north with the Nite-Owl record swap in Portland. But, for now this will do. You'll want to make this if you're in the area.

Onto this heavy piece of Nigerian funk from these fine men known as The Apostles. From the 197? LP entitled 'Wisdom' is this funky tune 'Feeling Happy' on EMI Nigeria. These cats have about five other albums, but I know little about their overall history. Juan played this record for me after his first trip to Africa, and I'm just glad he's returned to the motherland and tracked this one down for me. If only now he'd find the ROB record for me!

Most of these records have gobs of dust and dirt. Condition with these records is always difficult. They usually have years of road dirt and hot sun warpage. It's hard to find anything in mint condition. But, the incredible strength of these artist usually shines through, and sometimes the funk out weighs interference. I often like my funk with a bit of bacon sizzling away in the background anyway.

Apostles - Feeling Happy

Salma Agha - Come Closer

2011-04-16T23:55:00.000-07:00

Ever since I started this blog it's put a considerable fire under my ass. It's taken me out of my normal purchasing habits. I've tracked down and bought specific tunes just for this site. This has induced only a more feverish and compulsive hunt for good music. Something both you the reader and me the collector can benefit from.
Today was 'Independant Record Store Day' and although I didn't visit a single store, you can't get any more 'independant' than buying some tunes from a friend or a private seller. So, that's what I did. I had to pick up a record that was sent from Africa to me by digger extraordinaire Juan Gomez. I've mentioned his site before, but you would be wise to check it out again as I'm sure he's updated the gold from the motherland.
I was also pleasantly surprised with how deep the crates of Arjuna Sayyed were. I had just followed a series of blogs that lead me to the fantastic site of DJ Marsellus Wallace. Check it out here http://djmarselluswallace.blogspot.com. It's an impressive collection of tasty tunes and amazing LP covers. I find it hard to believe the author is truly named Marsellus Wallace, but you won't find me giving this dudes lady a foot massage if you catch my drift.
On the site I stumbled on a few Bollywood clips and one in particular raised an eyebrow. Just so happened that Arjuna had the same record in his crates. He has made two trips to India and put together an excellent article and mix of Bollywood breaks. Peep this article in Wax Poetics online. Great story on adventures in record hunting in India. Grand stories of moldy records, marble sized rat turds and some excellent breakin' by Arjuna on the streets of India.
Anyways, this LP has a lot of charm. Even a cover Michael Jackson's 'Billie Jean' that melts into 'Funky Town' and goes on forever. A flurry of insane disco numbers all in a goofy and furious Bollywood manor. Drum machines a plenty, space farts, screams, laser guns, and weirdo electro bits. It's a tasty array of Bollywood dance number madness and the movie itself looks fantastic. I've now got to head to the shops on University Avenue to score the movie on DVD.

This cut is from the soundtrack to the 1984 film 'Kasam Paida Karnewale Ki'. Music is by Bappi Lahiri who was also behind the 'Disco Dancer' soundtrack. I am reminded by all of this that I need to post more Bollywood stuff including this goof-ball masterpiece 'Disco Dancer'... I'll also try to post the record I got from Juan tomorrow. It's a tasty bit of Nigerian funk.

Salma Agha - Come Closer

Leo – Fee Fi Fo Fum

2011-04-15T23:57:00.000-07:00

One of the best electro rarities that I've heard. I also have a sneaking suspicion that this could be the sample base for something I've heard recently although I can't place it. Perhaps something outta the Stones Throw/Dam Funk/Tony Cook camp, but not sure. If it isn't, it's certainly right in the same vein. Or, perhaps I'll dust off the sampler and get to producing my daughter's new LP. Laugh out loud. This one doesn't seem to turn up too often and doesn't make the usual rounds in the electro circles. Could be that this was only on 45, and as most electro records were released on 12 inch to the DJ communities back in the day, this particular jammie flew right under the radar. I'm only posting the vocal version, but the instrumental is a complete monster as well, so you should seek it out. Few folks know about this one, so if you search now, perhaps you'll find a copy before the price escalates. If this is your cup of tea that is.

This post marks our 66th post so far this year. We've already exceeded our quota for the year. We're not even half the way through the year, yet we've matched the amount of posts we've done for the previous years. We're well on our way to double what we've done previously. So, we're doing good. And, if you agree, we haven't been slipping on the quality either.

There's no sign I'll be letting up anytime soon. So, it's gonna continue to be a fruitful year. Happy Spring to you. ENJOY!

Leo – Fee Fi Fo Fum

Ann Alford - Got To Get Me A Job

2011-04-09T12:12:00.000-07:00

This is Ann's sole record release but it is a slammin' deep funk 45 heater. It may be her only record, but it's well loved and enjoyed. Originally from Shreveport, Louisiana this sister cut these two sides and vanished as far as we know. The flip is incredible as well, a true ballad in a tear stained James Brown fashion. I think Hy Sign was a subsidiary of the Murco label.

I noticed the other day that BGP has just released this same song this year coupled with Alvin Cash's 'Twine Time' on a new 45. Interesting to see that BGP and ACE are still keeping up with the Joneses. Perhaps they are attempting to cash in on the endless times that this tune has been comped, booted and re-issued. Nice to know you can get this great tune for a cheap price. They've started out well for 2011 and I'm curious to see what's next. In that respect I probably paid way too much for it, but you get to reap the benefits again. Here I present my rip of this great sister funk 45 for you to enjoy.

Ann Alford - Got To Get Me A Job

Edward Fisher - I Feel Good

2011-04-08T01:20:00.000-07:00

Speaking of slow 'burners', this one comes to us from Edward Fisher who is also known as Eddie Fisher. My record collecting first lead me to Eddie and his LP 'Eddie Fisher And The Next One Hundred Years'. With songs like 'East St. Louis Blues' and 'Jeremiah Pucket' I had found my crown prince of funky groove. It was exactly what I was looking for at that time. Heavy drum tracks, incredible arrangements and masterful musicianship. Not to mention it was a sample filled and a head nodders dream. It's an incredible jazz funk LP rooted in some heavy band of gypsies trip. So, that was the beginning and a introductory chapter into a great relatively unknown guitarists amazing career. I like all of Fisher's LP's and his work spreads throughout a huge time span of different sounds and influences. This post is from his 'Promise' LP made in 1985. Just so happens that the 'hundred years' LP was the first I heard by Mr. Eddie Fisher.

There were others before it, and it was a few years later that I picked up the rest of his LP's. He started out as The Eddie Fisher Quintet with the 'Third Cup' album. It was a debut album for Chess records and demonstrated his prowess on the guitar and is a formidable acid jazz and soul jazz work. It set the pace for most of his early work. Very funk and groove based but, always with a tinge of psychedelia and general spaced out feel. Always reaching out for more and something deeper it seemed. It's no wonder he was on the Chess label as he had some previous history being the bandleader for Albert King.

Next up was the 'Hundred Years' LP and only further expanded his acid laced funk sound. This record is mental. I think he must have inspired a great deal of jazz funkers at that time. He certainly did for me and others when we re-discovered it. It seems that Chess records was being quite contemporary at that time pushing more funky and commercial records with the Cadet subsidiary. For Stang records he then gave us 'Hot Lunch' which expanded things with more commercial appeal. Use of synthesisers, and branching out from the usual instrumental jazz funk with the use of vocals. Like the very Larry Graham and Sly Stone inspired 'Gimme, Lend Me, Loan Me' and the Marvin Gaye influenced 'It's That Music', it only further illustrated that Eddie was ever evolving.

Later on, possibly in the 80's at some point he started his own label Nentu with his wife. There he cut a p-funk scented boogie masterjam 'Gigalo'
on 12 inch and this LP called 'The Promise'. This album is consistently good throughout. As is all of his LP's. But, for me at the moment, my stand out tracks are this one and the very George Duke sounding 'pluck' adapted song called 'The Jam'. When they surface in my collection again, I will post other songs from these other earlier LP's, but for now this came in the mail the other day and completes the Edward aka 'Eddie' Fisher chapter in my collection. This only means more for YOU to enjoy. Cheers.

Edward Fisher - I Feel Good

Flight - No More Part Time Lovin'

2011-04-06T09:36:00.000-07:00

Much like the previous Frank Alstin post, we know next to nothing about this group. No, wait. I want to correct that, we know absolutely nothing about them. Still that doesn't take away from this obscure gems magic. If this is the sole outing for this group then they represented quite well in 1981 with this jam. This disco boogie grail is trading hands for big money these days and I'm glad to finally have a minty copy. It's been a hard one to track down, and after a listen you'll see why it's in demand among collectors. This is proof of the excellent mixture of both funk and soul in the boogie tunes of this era. It has it all. Tasty synth, nice backing vocals and several enjoyable breakdowns. It's very much a classy and soulful track. I just love those double disco claps. I'm wondering if they are somehow connected to the group 'Future Flight', but that's just a wild guess. If you know anything more about 'Flight' please get in touch with us.

Flight - No More Part Time Lovin'

Frank Alstin - It Must Be Love This Time

2011-04-05T23:54:00.000-07:00

Here's another jam that seems ripe for the summertime. I know very little about Frank Alstin, however he had quite a few tries at this particular jam. This version has a very home spun almost demo tape sound to it. He recorded it again in 1986 with the fabulous Jean Carne. And, in 1992 it was revamped and given a few 'house' remixes and released in the UK. We know close to nothing about the rest of his career, but this little slab of funk boogie soul definitely increases the desire for more of the same caliber. He did pen a few songs for First Choice, Loleatta Holloway, Sandra Phillips and The Jones Girls. Not a bad gang of folks to be associated with!

This earliest version is the best version in my eyes, but it's hard to deny the excellent vocals from Jean Carne. This version lacks those extra female vocals but does have a crisp snappy funk feel and some excellent synth soloing. Although a lot of the versions out there are dated 1983 but, seem to be the later version from 86. I'm happy to share this track as it seems to be the hardest version to come by and doesn't go for cheap these days. I hope you enjoy.

Frank Alstin - It Must Be Love This Time

Archie Bell - I Can't Get Enough of Your Love

2011-03-30T20:52:00.000-07:00

Not that there's any required weather for certain music, but when the sun is out certain songs come to mind. I have been waiting to post this song for a while now. Now, that it's warmer and the endless rain has ceased, it's seems fitting to match this gorgeous day with a brilliant tune like this. Most folks are familiar with Archie Bell And The Drells, everybody knows the 'Tighten Up' and the famous rap about Houston, Texas. But, less people are familiar with their later material. They actually continued on quite well later in their careers. Some of their late 70's LP's are quite nice like this 'Strategy' album from 1979.
I first heard this song on the ever famous 'Death Mix' by Afrika Bambaataa. I can't remember how long ago it was when I first heard 'Death Mix' on cassette tape, but when I revisited it 5 or so years ago, when I bought a vinyl re-press, I realized this was the one tune that I never found out who it in fact was. Local DJ Kool Kyle played a strange compilation that featured this and a few of the other 'Death mix' breaks called 'Voodoo Death Breaks' if I remember correctly. I set out, like I always do, to find out who this tune was by like my life depended on it.
I asked teems of local and non-local DJ's, those with endless knowledge and those just starting out learning. I left no stone unturned. I was quite disappointed that a lot of my 'break' collecting peers and elders didn't know. Ultimately NO ONE seemed to know. Perhaps a few knew, but fell back on an older more secretive code of ethics. At last, Joe Quixx suggested that it was Archie Bell. I didn't even play it for him, I just referenced Bambaataa's mix and described the break with my own spin on beat boxing. Not something under normal circumstances anyone should be subjected to. Well, like the true hip hop pioneer and 'old-school' sound genius that he is, he was right on the money.
It took a little while to track down which song this was, and from what album, but here it is now for you. Every other Archie Bell LP that I've found have all been great. Truly these guys kept the soul alive even throughout the darkest disco hour.

Joe Quixx has been a huge inspiration to me. From the days of his Wake Up Show involvement, to the trenches of the 5-7 day a week club schedule he keeps to this day. He made me proud blasting Tom Scott's 'Today' and 'The Bird' By Jimmy McGriff on FM signal boosted commercial radio waves waaaaay back in the day. He was schooling folks back then, and is a integral part of Bay Area Hip Hop history. Also a member of the Oakland Faders. But, above all else, Joe is just a good dude. Hats off to you Joe Quixx...the original 'Latin Soul Brother' Make sure you click on this photo to get his 'Heavy Duty' mix. It's ironic, but we both named a mix we did 'Heavy Duty'....like minded brothers I suppose.

I could not help but to edit this a little tiny weenie bit. It's not something I do often on this blog and always lean towards posting the original track, from original vinyl as it first came out. But, in true 'Ultimate Breaks And Beats' fashion I've worked the breaks to be just a little bit longer. It sells the song that much better. Those of you that download all these songs and use them on your Serato...well, now you have a convenient edit to use. Thank me by selling me your old records.

Archie Bell - I Can't Get Enough of Your Love

Gregg Jolly - Love Is

2011-03-25T22:57:00.000-07:00

A pretty simple formula here for this disco bluesy number. Gregg Jolly, on the other hand is anything but simple. And, anything but known, discovered or appreciated. His few and extremely rare releases are hard to come by. All of them except for this one have still evaded me. This is one of his most available recordings. I often wonder what other recordings he was a part of that didn't feature his name. His vocal style boasts that he can hang with the likes of the great Al Green. He's been showcased and endorsed by the rare groove king Tommy Stewart on another elusive 12 inch and this release saw assistance from the great Bobby Robinson and his hip hop founding label Enjoy records. It's no wonder that this had such a disco feel, and the open drum break in the middle is ripe for classic Ultimate Breaks And Beats style editing.

Half way into the song Gregg really dips into his vocal soloing and almost goes Al Green ballistic. Even the title 'Love Is' feels as though it's an homage. But, even though he had less than a handful of records, he etched out his own brand of disco and funk. The drums are brutal and relentless throughout making me scratch my head thinking is that a drum machine or did they loop it? Clearly this drummer earned his keep in the studio. This oddly sounds more like 1976 than it's release date of 1981, but further proof that the blues was alive and well in the early 80's. If you are Gregg Jolly, know his whereabouts, or had anything to do with his recordings please let us know. We're madly obsessed with G-J and will do just about anything to track him or his records down.

It's just another slice of funkiness I wanted to share, and as I track down his other records I will post them here. If and when I can find them, as they are stupid rare.

Gregg Jolly - Love Is

Professor And The Efficiency Experts - I Gotta Stand For Something

2011-03-24T18:39:00.000-07:00

Long story on this one. I first heard about this song way, way back from my friend Seth Roehl who played it for me over the phone. I hassled him about this 'white label' deep funk test pressing, trying to get him to trade it to me throughout the years. At that time most folks knew this as an obscure and rare funk test pressing. Some, like ourselves, knew nothing about it other than it sounded like the heaviest shit we had ever heard. A few years later, I found out that this was in fact a white label re-press done by none other than Skate Master Tate.

Still at that time, it was coveted among funk collectors and still remained a high dollar record, even as a bootleg. I was lucky enough to find the original yellow label Stanson 45 in a shop in L.A. for a measly 5 bucks. I was so overjoyed to separate it from it's sleeve with that certain look and feel that it hadn't been touched before. Finally a conquest for this 45 had ended with a stock unplayed copy.

So, jump down the time line now 10-15 years later when my friends Jon Erickson and Bart Davenport gave me a call and asked if I'd meet them at Wally Sound Recording Studios. They were in the middle of recording a few songs for an upcoming Greyboy album. They were using old equipment and getting a vintage sound, trying to replicate a few original songs that DJ Greyboy had sent them. Jon and Bart insisted I sing with them on one of the tracks and they said I would love the song. As soon as I heard the whistle and crowd noises from the beginning of the record I knew exactly what it was and knew all of the lyrics by heart. I gave it my best shot and still to this day you can hear faintly in the background backings vocals from yours truly. Now, of course Sharon Jones took hold of this track with the lead vocals, but this was an experience of a lifetime for me. Just my ultra tiny little claim to fame, and like my friend Xan said, I was 'high on lead singing' even if the end result had our vocals father away in the mix. Still, incredible to be a part of one of my all time favorite funk 45's and see it evolve into current times and be featured on this LP. Me and Sharon Jones baby!

This was also issued on 'Funk Spectrum II' compiled by Kenny Dope and Keb Darge. It's listed on that compilation as simply 'Undiscovered Break' with no other information. Oddly my friend Seth did finally give up his copy of this record almost 20 years later, so now I have both the white label bootleg and original now. Go figure.

This is a beast of a funk track. Probably one of my most favorite deep funk 45's. The constant and underlying fuzz and feedback coated guitar really stings like a bee. It's a guitar sound that's straight out of some seedy biker exploitation flick. The drums slap and knock along like a dirty fight that rolls and crashes from the bar out into the street. Check out the wicked fills and rolls..this drummer was serious business. All together wrapped up with speckles of horns and a ever growing party in the studio. Sounds like numerous folks are getting down on the lead vocals. Like a true 'pack' of funkateers. This track is the perfect example of nasty garage funk. Just how we like it.

Professor And The Efficiency Experts - I Gotta Stand For Something

Bill Moss And The Celestials - Keep On Using Me Jesus

2011-03-20T16:42:00.000-07:00

Good morning and happy Sunday to ya. In the tradition of our Sunday posts we're gonna ride the soul train to gospel town again. So, let's call it 'Sanctified Sunday' and get down to business.

Bill Moss is an artist that bounced back and forth from commercial efforts to gospel recordings throughout his career. Some of his early 45's were some of my first coveted rare groove records. He was founder of the Capsoul label which provided me with many of my favorites. 'Sock It To 'Em Soul Brother', 'Number One', and my personal favorite from that label 'Hot Grits' by Elijah & The Ebonites are heavy percussive funk treats.

Bill was married to Essie Moss and they started The Celestials, very much in the direction of the Staple Singers. This song, 'Keep On Using Me Jesus' is very much in a Staples vein. Bill is also related to one of the most well known soul/gospel groups The Clark Sisters. Mr. Moss died at the age of 76 from emphysema but before he passed he was inducted in the Gospel Music Hall Of Fame in 2004.

Cheers, Bill we love you here at Soundboutique and your funky break embedded song is perfect for this day. Hoping I'm ushering out this cold or flu or whatever the heck it is, and this song has got me singing my own version...Keep On Healing Me Jesus!

Bill Moss And The Celestials - Keep On Using Me Jesus

Baba Yaga - Too Cool To Be True

2011-03-19T22:16:00.000-07:00

Killer funk jam by this 70's era all women's band. Sounds a bit Afro influenced with these heavy horns piercing through the mix. This one was fit for the club both now, and then according to the lyrics. Swarming to the disco with those uniform denim blues. Look out. These ladies are fired up. Lead by a heavy break in the front, it's charged up with the same shit that's still going on these days..growling stomachs, high gas prices, and people looking for work. This release was distributed by local woman's label Olivia and you can get comprehensive deets and pics here. Probably the tastiest women's funk club tune I can think of and reminds me of the 'all-girl' live performances I saw today.

Yes, I'm still sick from last week and feeling like shit, but I had to make the trek outside in the constant rain to see my daughter perform at the G.R.A.S.P. (Girls Rock After School Program) in downtown Oakland. Sick as I was, I was busy sleeping all day and if she hadn't called to remind me, I may have slept right through it. Daddies, stay on ya toes! It was great (and a great program) to see my daughter rock the drums in her own style and I'm glad I took her to see the Girl's Rock Movie 2 to 3 years ago. I saw a total of 15 groups play one song each, ages ranging from 6 to 16 years young. I was looking at the attendance and over all high head count and thinking there is definite potential for my evolving all ages Oak-a-go-go TV show idea, developed from Chicago's own cable access show Chic-a-go-go. Check out what they do.

While in downtown Oakland, I caught a facebook mention of a record sale. Of course I had to check that out. Sick or not, I was already out there in the rain. I'm in full support of Oakland record shows, and even better when they are in the afternoon or at night. Great little swap at the Spice Monkey Loft organized by Geraldine of feelmygrooves.com and the new east bay multi-genre soul night called 'The Clearing' at the Kingsman's Ivy Room. It's held every third Friday, but April's date is scheduled for the 22nd. Heads up. Been meaning to re-stomp the Ivy Room and see the major re-vamping they've done since our crew was there so many years ago. Props to all those folks at the swap for toughing it out in the rain. Looks as though the Spice Monkey has some tasty food as well. Great idea..the wifey can grab a bite to eat, and I can chip away at our life savings on my compulsion with records.
So, all in all, a nice little day. Even though I felt like absolute crap. I hope I didn't infect anyone along my way. If so, my sincere apologies! Now I'm nestled back in our crib, nice and warm, hopefully nursing this very flu like cold on it's way out the motha-fuckin' door!

Baba Yaga - Too Cool To Be True

Keith And Darrell - Kickin' It Around

2011-03-16T22:02:00.000-07:00

I came across this 45 in a pile of records that had already been pillaged by a few serious local collectors and record dealers. Don't know why the hunters passed it up, but I'm glad. Perhaps it's really only a 25 cent 45. My interests in somewhat 'obtuse' sounding stuff and indie soul has for me, paid off yet again. Just goes to show there are still treasures even in the most covered territories. You just have to be willing to hear something dope and new in something that's far from the norm. For me, that's always been an area that has been my strong point. Often you may have to face a little ridicule, but I've learned over the years that same ridicule is a sign of progress and genuinely shows you're headed in the right direction. Anyways, I was late in the morning to this spot and even though it had been well scoured, I still found a few treats. In fact, I think this is the same spot I picked up the 'Blue-eyed' soul record by the group Stratus. Not the one from Denver. The Stratus record had the notorious orange spray paint from Rasputin's, so I suppose it had been quadruple overlooked.
Anyways, back to Kieth And Darrell. These guys were in fact nephews of Smokey Robinson. They had somewhere around three or four releases including an attempt at boogie disco in 1983 with a tune called 'Work That Body' on a Motown twelve inch. Another 45 with the peculiar title of 'You're My Gardener' saw a similar release on a promo only 45. I wonder what that one sounds like. This tune for me fits best in a 'free soul' genre as it's kinda lazy, kinda cool, and a little bit hippie. It has that kinda yacht rock sunshine soul feel I'm always looking for.

It's easy to see why this flew under the radar, and one could suspect that Keith And Darrell were trying to gently elbow their way into the recording biz considering their bloodline. The fate of Keith Larnell Burston and Darrell Littlejohn was of limited push and belief in them by the record label and as a result they never fully broke out.

As far as I was concerned, from a digging perspective, this had ALL the right elements...produced by Smokey Robinson, from 1980, and was a promo only. It could be that this record never saw a full release and only came out as a promo. Some nice harmonies, an affectionate little premise, and some light and snappy drums. I was glad to pick it up, hope you enjoy it too.

Keith And Darrell - Kickin' It Around

Joy - The Time Is Right

2011-03-15T12:09:00.000-07:00

Joy was a gospel group from southern California, San Diego to be exact. They recorded this pearl of an album and that was it. This is about the strongest tune on the LP, but they showed tremendous potential. This tune is pure magic, straight up good gospel groove with a very simple premise of positivity and action. The lyrics boast 'It's time we treat each other like true sisters and brothers' and i couldn't agree more. We need more songs like this in our world today. Again they proclaim 'It's time we forget denominations and come to the realization that god just wants us to show our love' and 'It's time to be strong and take a stand, reach out your hand and help someone when they fall'. Just how silly new music these days can be, and how vulgar and negative it can be, it truly makes you appreciate songs like this. Very Stevie Wonder-ish sounding vocals, brilliant simple production, and a smart little bass and drum 'breakdown' from this perfect title cut from this album. In the gospel scene, bands like this in the late 70's and early 80's turned towards making more straight soul records and moved away from more traditional sounds. Packing up the Hammond, and subbing in the Rhodes. Putting down the Tambourine and replaced it with slapping the bass. Basically it's a pop/soul record and I'm thankful for this trend during that time.

This sat firm at the top of my want list for over three years and last year finally came to me in the mail. Do you understand how hard it was searching for the key words 'Gospel' and 'Joy' on the interweb! It took me forever to track this one down, and it was a frustrating journey. But, now it's here like a ray of sunshine. I had every intention of posting this when I got it, but sometimes things slip through the cracks and after a few plays out in the clubs it was filed away. So good to be giving it it's proper due and sharing here on SB. I hope that somehow the band finds this post and sheds a little light on how this album came about and what the San Diego Gopsel scene was like in the early 80's.

This is actually our first 'actual' request for a song. A fellow artist and enthusiast just recently told me 'more Gospel please!' and I'm very happy to oblige. It's you, our readers and followers of this blog that make all the difference in the world to this music and the artists, and give me purpose to searching high and low for good music . The fact that I'm getting feedback and 'requests' for gospel here...is fabulous. So, here ya go...A special dedication to my homie Alika Cooper and hoping this track pleases her growing Soundboutique mix tape collection, and provides additional music for her while she's painting.

Check out her amazing work here...
www.alikacooper.com/

Joy - The Time Is Right

James Bootie Tuten - This Is A Love Affair

2011-03-14T02:40:00.000-07:00

Wished I could have made it to the city tonight, would have loved to go to the Lipo for Sweaterfunk. It would have been nice to see the crew. I love them folks. And, even better they love some good ass music. I was planning on going. But, I'm nursing my daughter back to health from a flu and as expected I've quickly caught her bug too. So, we're both home sick tonight. And, damn it turned out RAINY! As much as I bitch and whine about being sick, it just shows I still could do a better job taking care of myself. It also shows that the saying is true 'Kids are like germ magnets' and unfortunately I'm living that folklore to the fullest.

I've also been bitchin' and whining about getting tired of boogie too. And, although I say that, I'm still constantly playing it, buying it, and talking about it. Could be I just gotta find the 'right' tunes. Here's the example. This fine tune by James Tuten has been on my want list for a while and now that I picked up a copy it's been in the box and getting played out where ever I go. If this proves anything, it's just the simple fact that I'm always desiring to discover something new, something fresh. Although at times I may gripe and groan, the music I keep playing speaks for itself. Let's just say that boogie will continue to be my 2nd baby. Or, is it third? Oh well, it's important.

This song is completely bangin' and now one of my funk anthems. From the wicked huge open drums to the chant at the end, it satisfies me on a major level. So, out go my grievances right out the door. Those hard drums, space sounds, and the disco missile launching at the beginning only warm it up for the monster synth bass line. Then the deep commanding vocals come jumping out of the speaker. James should have been nick named 'brutal' as his voice so completely rocks this shit. Yeah, James 'Brutal' Tuten. So stoked to have it in my box, after a long wait. For the moment, it's a 'love affair' with this song.

James Bootie Tuten - This Is A Love Affair

Homegrown Syndrome - Confrontation

2011-03-13T18:45:00.000-07:00

Big ups to my man Renmin
Cardona. This is a Soundboutique exclusive courtesy of Renmin. Not only does he have the coolest name in the world, but he's truly one of the coolest cats I know. It's rare I come across someone so honest, so mellow, so cool, and with such a great sense of humor. So, I gotta give him dap. But, let's rub his thick cool cat coat of fur a little more...He's deep in the crates game and discovered this true gem of a song by Homegrown Syndrome. WOW! When he first told me about the title, I thought it sounded cheesy as hell. But, once his portable turntable got up to 45 rpm, I also got up to speed with this killer disco boogie cut. Such a aggressive disco burner, complete with tuff breakdown. Anybody that still unearths gems and digs deep until they find something new, get mad, mad respect from me.

He's been a crew member of Sweaterfunk for a few years and along side Proof has brought us two volumes of 'Night Shift', which was one of the earliest boogie mix Cd's floating around San Francisco. He's also my right hand man in busting out with our own pressings of vinyl. More to come in the future. Let's pedal backwards a little to his name, although understand this.. the name does not make the man. How cool is the name Renmin? I mean, you don't have to change your name for DJ flyers or nothin'! Sure, he gets the most amount of ad libs due to the 'Ren' and 'min' in his name...but, this guy is sooooo cool and soooooo mellow, he's usually crackin' the jokes on himself. A comedy style much like myself. But, his humbleness is in it's purest form I would say. My favorite is REN DMC, or rather the more fitting REN DJC. I noticed on his record box the other day it said 'Philip E. Knowles', as in 'Filipinos', truly a cool breeze of a brother in my eyes. So, in addition to the constant humor you have him to thank for discovering this nice little disco boogie funk track.

Sadly this was Homegrown's only offering. Even in 1981 bands got signed to majors like Arista and were dropped like hot cakes with or without a chance for a full length LP. In this case, without a full length album shot. There was an additional issue of this 45 released with the tune 'You And Me Baby' on the flip. It's rumored that this band was in fact a band called 'Home Grown Funk' that recorded with and were under the wing of Ike Turner. But, this can't be confirmed as of yet, it may have been a name for the band that Ike carried around with him for some time supplying it with whomever backed him up. There's an album called 'The Edge' by 'Ike Turner and Home Grown Funk' which appears to be the same group, but again it's not confirmed and hard to pin point. Homegrown Syndrome were Los Angeles based and Home Grown Funk were from Memphis. It gets confusing with the 'Edge' album release as it's dated 1980, yet sounds more like 1973. Even more affirming is the appearance of Tina Turner's vocals on the 'Edge' album, probably just a marketing of previously unreleased material. Maybe Ike had a hand in helping to sign 'Homegrown' to Arista for the release of this 45.

Whoever Homegrown Syndrome were, if you're out there...we want to know you. We are thankful here on this blog for your music. Again, props are due to Renmin Cardona for discovering and sharing this great tune. Truly a Jedi in the music world and a cool dude to boot. A.k.a Philip!

Homegrown Syndrome - Confrontation

Carol Fran - I'm Gonna Try

2011-03-09T00:04:00.000-08:00

Here's a wicked, wicked little soul stomper. This gift of passionate soul magic by Carol Fran is lead by a sledge hammer snare and a few tickles of piano. The bold and beautiful brass ruggedly wraps up Carol's delicious voice. I love how this song starts from scratch and builds up into this frenzy, and then calms down, and fires up again. Just a brilliant 60's soul tune.

I remember initially laying his down at the Ivy Room in Albany, California. Not long after scoring this 45, I played it at Soundboutique. Quite some time ago, and maybe father back than most can remember, or even know about for that matter, the name of this blog represented a Thursday deejay dance night at the Ivy Room. Those were seriously good times and the owners truly gave us the freedom to play what we wanted. This tune packed the floor the few times I played it, and we had prosperous run for that night. I'll always remember my conversation with the owner when we played Prince and AC/DC in the very beginning when the club was still empty and he said 'I think this is great...keep on doin' it' with a laid back satisfied look. They really did let us branch out and play what ever the fuck we wanted to. It was pop, commercial, underground, hip hop, soul, funk, rock, electro, nu-wave...whatever. Anything you could think of. Whatever our guest DJ's felt like playing. As long as you could dance to it. And, yes a lot of stuff like this Carol Fran 45. After all, I was involved so you could always count on a soul fix. We knew the owner had our backs when he paid to replace the blown sub woofer after our roasting of it with 'Under Mi Sleng Teng' by Wanye Smith.
That sub sonic bass is brutal even on a set of Meyers!

Carol Fran - I'm Gonna Try

Julian Covey - A Little Bit Hurt

2011-03-08T00:32:00.000-08:00

From hard rock to hard organ blazin' mod soul. This little slab of boogaloo swingin' action has been in my mod 60's soul box ever since Alec Palao played it when we DJ'ed together many years ago. It's a hand clap groove with the simple addition of bass and piano. Once the organ sets in, it's hell fire to spark with mod shing-a-ling dance moves.

This track, a double breasted pin stripe suit and some talcum powder and you've any mod committed to the dance floor like nobody's business. It's a little over 2 minutes of pure fire.

From this heavy rhythm guided groover it's easy to tell that Julian Covey was a drummer. Julian's real name is Philip Kinorra. He's played with British organ and groove kingpins Graham Bond and Brian Auger. Right along side McDuff and McGriff, Graham and Brian ushered in my introduction to organ, fresh from the mod days right into acid jazz and rare groove. Hard to deny the underbelly of a Latin groove with that bad ass conga and stand up bass. In fact it's a hybrid of true Latin soul that somehow meets Spencer Davis' 'I'm A Man' somewhere in the middle.

I'm a little bit hurt by just what a monster tune this is. Hope you agree.

Julian Covey - A Little Bit Hurt

Giorgio Moroder - Underdog

2011-03-07T00:33:00.000-08:00

From a really fun album by Italian disco grandfather Giorgio Moroder.
At this time he was known simply as Giorgio. These tunes pack the same glam rock - bubble gum punk punch as 'Police On My Back' by Eddy Grant. I know Europe was a killer place to be in 72. I'm just saying.

Giorgio was of course one of those pioneers of analog circuitry in pop music and it shows immensely in this early stuff. Leading the way in early italo sound and pioneering the synthesiser like no one else. He's been behind everything from Donna Summer to Electric Light Orchestra. On film he's set a fantastic mood for everything from Scarface to Flashdance, Midnight Express to Metropolis.

This album is lesser know in the public eye, yet loved by at least two groups I can think of that are both worlds apart. It's liked by fans of early glam and bubble gum as a decent pop dance record and B-boys know this LP for the epic break beat organ number 'Tears' sampled by DJ shadow. Both of these songs (and any from this LP) could easily be the missing music for a dance club scene in Clockwork Orange. It's groovy and silly yet extremely enjoyable. This bubble gum pop with heavy fuzz and early use of synthesisers is brilliant in overall production sound. One could easily see that Giorgio was well on his way to becoming the huge music mogul we now know so well. His earlier work like 'That's Bubblegum - That's Giorgio' is more straight forward bubble gum pop. This album branches out into cosmic, the roots of italo and psych rock. Brilliant stuff.

Giorgio Moroder - Underdog
Giorgio Moroder - Son Of My Father

Arthur Lee - Just Us

2011-03-06T14:44:00.000-08:00

Arthur Lee has been turning up in a few of my conversations lately and I thought I'd spotlight this excellent album from much, much later in his career. It shows that Arthur still had the unique charm and ability to craft thoughtful music just like he always had. For me, Arthur Lee was one of the greatest lyricists of our time and also recorded some of the most powerful, emotive, tuff and meaningful rock I've ever heard. From the early punk sounds to the completely crazy later years Arthur always had an incomparable finesse and unmistakable genius about him. His different approach, odd ball antics and innovation in delivery bench marked styles that would be inspiring music some 20-30 years later.

Arthur's unique spin on things was the power and innovation that he brought to rock. He made a deposit into the minds of rock musicians world wide and succeeded at 'forever changing' the way we think about pop composition. The tidal waves of creativity that he championed in pop music are still crashing on the shores of modern music still to this day.

Arthur Incorporated the same fire and power into what was commonly misogynistic cave man punk rock, but did it without the sexism and cliches. On the outside, sometimes the music sounded simple, and if judged too fast could get dismissed as typical rock. Yet, there was endless layers to this onion and he made you listen on a deeper level. He provided a more sensitive and emotional spin at times. He was the major component of the mid sixties L.A. based rock group Love. Along with Bryan MacLean that group created landmark records that combined jazz, acoustic folk, Tijuana tinged pop, and early proto-punk. They contributed the great "Forever Changes" LP which I feel gets left out of the conversation of evolving music in the 60's. A lot of comparisons are done between the Beatles and the Beach Boys on a album by album basis and how they were inspiring each other, but seldom is 'Forever Changes' even mentioned in that context. It, and Love's other albums are important pieces of music history. His solo efforts are also important pieces, and are basically Love albums. As time went on, he moved even farther out of the light of exposure. In fact, as a whole Arthur Lee and Love go unnoticed by the larger 'rock' world both then and now. Only later in life and during the early 2000's did Arthur start to see some mass appeal and adoration for what he did. Unfortunately Arthur died of Leukemia in 2006.

Interesting connection here between this and a previous post is that the treatment of the Bacharach and David's tune 'My Little Red book' was one of the first major notable records by Love. Apparently Bacharach hated this 'treatment' of his song, but it showed again that Arthur was light years ahead of his time. Arthur revamped his tunes several times throughout his releases and one of his last great performances was doing the entire 'Forever Changes' album live with a full orchestra.

Arthur Lee has always brought a different perspective to rock and roll. Whether that has something to do with him being African American is up for consideration. He certainly has a unique edge he brought to rock, yet he pushed a kind of individuality that went beyond race. He was after all, a black man in a mostly white rock world. Throughout his path he crossed with many that ultimately shaped who he became. He was inspired by Curtis Mayfield and in early Los Angeles days met and recorded with a young Jimi Hendrix. I believe that the souls of Curtis, Jimi and others that inspired him like Johnny Mathis and Burt Bacharach all made up the complex collage that was Arthur Lee. Arthur had a mixture of souls burning through him and his music and it collectively contributed to his unique fire.

I saw Arthur live in San Francisco not long after he was released from prison. It was an amazing show. Probably one the best live rock shows I've seen. He still had the pizazz, and my only regret was missing the 'Forever Changes Tour' approximately one year later. Aside from the perspective he brought to rock and roll, I feel as though he also felt the brunt and plight of being African American in the record industry and largely in the rock and roll world as a whole. He affirms this by his refusal to tour or leave L.A. during most of his career, opting to stay in his 'turf' where he felt more comfortable. The fact that he spent any time in prison was a complete mistake and inexcusable crime in itself. Arthur should have been locked in a studio and forced to record more music instead. I believe if that were the sentence we would have that much better of a world today. Arthur being locked up in prison was completely WRONG and illustrates that the music 'biz' ultimately did NOT have his back.

Back many years ago, at the height of the Napster craze I searched through a set of files that lead to a dialog and friendship with a woman that was in a romantic relationship with Arthur for some time. He was in jail at the time, but I wish I still had that contact info because now I'm sure she'd have some interesting things to say. We traded a few files and she spoke of intimate details about Arthur and their relationship. During that time I discovered an unreleased album called 'Black Beauty' from 1973.

In my Opinion Arthur Lee was one of the greatest contributors to music. The impression he left on rock and pop music is largely under appreciated and under valued. He may be one of the best kept secrets in the recorded world, and a treat for anyone to discover over and over again. Arthur gave so much over such a long time, and what he brought to the table was sincere genius. He crafted a bevy of incredible psychedelic and introspective lyrics often focused on social and relevant issues. He also had a piece of himself in his music that was self analyzing, one to one personal and often existential. Listening to Love and anything by Arthur Lee is about as close to an 'out-of-body' experience that I can have listening to music. I love the first album and even this much much later album in 1981. Seeing him live was one of the greatest shows I've had the pleasure of witnessing.

Arthur with Jimi Hendrix

If anything this 1981 LP shows that Arthur hadn't lost a single bit of his touch, his attitude or his purpose. I'm throwing your way the best three tunes from this album, but if you're NOT familiar with Love or Arthur Lee, you seriously need to get down to brass tacks and git this doods shit.

This is really a minute bit about a man that needs pages more to tell his whole story. I just kinda threw this all together with the underlying purpose to expose these tracks from this LP. I think we here at Soundboutique owe a deeper more comprehensive post in the future. Arthur certainly deserves it, and there's a plethora of other tracks to share. In my efforts to gather more info about Arthur, I came across a number of interesting things...two blogs that have detailed info about Arthur Lee.
Have You Heard Of Arthur Lee?
http://observer1984.blogspot.com/2007/09/have-you-ever-heard-of-arthur-lee.html
And..
http://poisgoneforever.blogspot.com/

And the movie entitled 'Love Story' which I still haven't seen, but hear that it is revealing and comprehensive.
Love Story Promo

These tracks are just a small taste...
Arthur Lee - Just Us
Arthur Lee - Happy Me
Arthur Lee - Do You Know The Secret

Starbuck - A Fool In Line

2011-03-01T00:19:00.000-08:00

This is probably my all time 'fave' dollar bin special.
These guys are better known for their AM pop tune success 'Moonlight Feels Right'. 'Moonlight' easily put them into the soft rock hall of fame. Their other LP's are vaguely reminiscent of 'Moonlight' except for this one. None of the others albums are as interesting as 'Rock'n Roll Rocket' on a production level at least. This one, in my opinion stands out in epic format.

This one is strange. Wish we could know more of the story behind this one. There's an abundance of heavy synthesiser use on this album, and truck of load of trickery and even some drum machine. And yet it's a theme that's not carried along on either the previous or proceeding albums. It's strange that they got so into keyboards and drum machine on this album, but then those components are missing from the other albums.

This is indeed Starbuck's masterpiece in my eyes. It's rare to find an album like this. Trust me I'm constantly searching for stuff that sounds like it. Such great use of so many effects, such an interesting collection of songs, and it bounces about from bridge to chorus and from intro to turn around all morphing through some kinda hippie celestial thing.

Each song, as goofy as they might be on the surface, are all incredibly clever. The entire LP makes for a really great and curious listen, yet a few songs stick out considerably more than others. 'Fat Boy' has the pimpish feel of flossing around in a big 70's or 80's American car. It's a morality tale with nice harmonica and synth sounds basically about 'don't ya get too fat' either physically or mentally. Famous Starbuck quote '22 Slims Jim's never gonna slim ya down', yet I think Dr. Atkins would disagree. 'Call Me' has got amazing synth bass lines and killer Rhodes work and is also graced by a vibes solo, not just once but twice. Then 'Benny Bought The Big One' sounds like ELO and 10cc had collision with Sly and The Family Stone.

'City Of The Future' and 'Sunset Eyes' are also quite memorable. I'd say the LP is 80% strong. But, again..it's such a unique piece of work that you should definitely seek it out and give it a listen. Not hard to find at all. Just check the bay. Or, your town record store dollar bin.
This track, 'Fool In Line' is the creme de la creme. Fat synth bass line under belly. The lead moog is wicked, the guitar work is tight, and some of that backing synth sounds like theremin or something. Just genius production. This is the epicenter of blue-eyed boogie for me. The song that's on the 8 track player whenever your sailing about in the Bay, yacht rockin' it up. With this song, and Starbuck's whole relaxed soft rock approach you can see why this has been a secret obsession of mine.
Cheers, enjoy.

Starbuck - A Fool In Line

Prelude - Take It From Me

2011-02-28T02:10:00.000-08:00

UK act Prelude bring us this enjoyable folk pop album. I originally started to do this post with just one track, but honestly feel it's better to represent their sound with a few cuts from this LP. They're a brilliant act with sweet harmonies and a well rounded jingly touch to their own brand of AM rock.

This is some Pina Colada and 'walkin' in the rain' music for sure.

This sound won't be for everybody, but represents the diversity in the music in which we love on this site. A lot of this same style of music was harvested by Leonora, who started a night called 'Smile' in San Francisco. Two Years ago when I DJ'ed there it had transformed quite a bit and was a completely different animal. Respect is due to 'Leo' for not only starting that night, but for also diggin in the crates for rare folk, pop, rock, and hippy stuff from the 70's. I was sold on first listen, and thought of her when I found this in a junk shop record pile.

I've included the first three songs from side B, just because they moved me the most, and I've also included the first song on side A. 'Take It From Me' is by far the best song on this LP, yet there's a variety in these songs. From the 'funky-lite' style in 'The Night That New York Cried' (easy a second best) and 'Woman To Love' to the Jesus Christ Superstar-ish jam 'I Was Born To Sing Your Song' (a strong third best on the LP) they've got the 70's late night lite rock vibe covered.

In ripping these songs I made a slight error in tagging them. I mistakenly misread the date from LP label. In the track ID tags I entered 1978 as the year this LP was released, but it was in fact released in 1976. I'm off to track down any other good Prelude LP's and if you know anything about this group, please I encourage you to share!

Prelude - The Night That New York Cried
Prelude - Take It From Me
Prelude - I Was Born To Sing Your Song
Prelude - Woman To Love

Muscle Shoals Horns - Addicted To Your Love

2011-02-26T01:26:00.000-08:00

I've been looking for opportunities to traverse the blog into the rock and pop direction for a while. I picked up some really nice rock records on the last digging excursion, and judging from the above banner that I made, you can easily guess I'm ready to go. I'm super excited about the stuff I've found and can't wait to share. But, first...

I gotta indulge in another wicked slow funk burner. These cats were obviously from Muscle Shoals, Alabama and they've played with the likes of everyone from Elton John to Parliament-Funkadelic. So, the connection to the rock world is there, but just like even the rock stuff I post it will probably have a 'whole lot' of soul. Starting off as a mostly studio band, their next move was recording a few LP's in the 70's. Originally known as the Fame Gang, their studio session work list reads like a dream team of soul heroes. With the complete package as the Muscle Shoals Rhythm Section they recorded with Joe Tex, Wilson Pickett, Aretha Franklin, Etta James, Candi Stanton, and Otis Redding. Those are just a few of the bigger names. The smaller and lesser known artists they recorded with you will find throughout this blog. Basically I'm a huge fan of the sound, and most soul lovers feel the same. Incredible stuff from this part of the world, and these guys became legends.

This is a prime example of their tasty and smooth brass touch. Throughout all of their albums the horns are simply wicked. I don't think I can compare them. The spaced out trippiness of this song sets the mood of a hazy and seedy addiction. Off set with delicious synthesisers and swirling strings it's become a rare groove anthem. Amidst the echoing and dripping wall of sound they create with this track, they do something they didn't do much of on earlier LP's, sing. Harrison Calloway takes the lead on this one, and I'm thankful he graced the mic. The backing vocals are really nice too. On later LP's (and up until the 80's) they featured more and more singing. That helped both to define their sound and make songs like this that were vocal driven possible. Edging out and away from studio 'sounding' stuff into the fuller works of the soul spectrum.

This tune never fails to get practically everybody swaying back and forth and singing 'baby, I'm addicted' every time it gets played. True funk anthem material here. Aside from the 80's funk bombs they offer, this is probably the sickest track you can find by these guys. Usually it's a dollar bin find, but it's getting much, much harder to find these days. As is everything else that's good.

Muscle Shoals Horns - Addicted To Your Love

Superior Movement - Wide Shot

2011-02-25T09:52:00.000-08:00

Superior Movement's 'Wide Shot' 45 could possibly have been one of the very first boogie 45's that I started spinning with. It's an 80's funk classic and thanks to proper distribution back then most folks seem to know about it now. Not rare, but still hard to come by in good shape. This song, in a bouncy groove, is the kind of jam I will always be a sucker for. Something about the simple orchestration of an array of synthesisers. This albums title cut, 'The Key To Your Heart' is tasty too... a slow, creeping funk ballad from these Chicago Brothers. A few other songs stand out as well and the LP had sky high potential written all over it.

Stanley Ratliff's book 'A Dream, A Goal, Never a Reality' tells the story of the bands climb to success and tragic fall. The 'Movement's' battle with the record industry's dishonesty, excursions into drugs, and prison time are all chronicled in the book. The band had a knack for rockin' a party and prove just that in this live clip of Wide Shot. This band had endless potential. Just a shame it was the case of another short lived career.

Even though it was widely released on 45 and 12", there was never an instrumental version of the 80's funk boogie classic 'Wide Shot' actually released by Superior Movement, but there was this. Lazerock's 'Ballad Of Mr T' has an instrumental version and the story behind how the groove from this song made it into Lazerock, might be revealed in the book.

If you're reading this....
To all the cats in Superior Movement, all the funkateers and disco cats all over the world love your shit. If you are part of Superior Movement, hit us up! We want to see you rock the spot one more time. Just like in the ole days.

Superior Movement - Wide Shot

Ago - Good Time

2011-02-24T21:29:00.000-08:00

I have been meaning to get around to this for ages. This has been one of my favorite Italo pieces EVER. This entire LP is earth quaking robust synth disco madness. It sounds as though its the undiscovered 'Chic' LP with killer backing vocals and some of the tightest drums, bass, and guitar you've heard since 'Risqué'. If you don't know about it, now ya know. Although this is going to take an acquired taste. More Italo with heavy accents but, it works in the album's favor. Certain phrases sound even better when they are not quite grammatically correct. For example this song is obviously about 'Good Times' yet the song lyrics repeat 'We're gonna have good time' and so on. In another instance there's a song on this LP called 'Stop Your Life' and although it appears to be about suicide, it's really about a plea for a romantic affair. Strange yet particularly odd and beautiful. I've been gaga about this LP for about 3-4 years now and its been a secret weapon of mine in the crates. I can't recommend this highly enough, it's really solid from start to finish.

The comparison with Chic doesn't fall short of the title 'Good Time'. This LP is drenched in Bernard Edwards and Nile Rodgers like hot fudge on a sundae. At one point the singers chant 'I need your love, I need... your love' and I rest my case. The whole things is bright and electric. Most of the tracks are just how I like my boogie, serious heat produced loud and clear and all pack a mean ass punch.

There's not much information on AGO and even though 'For You' seems to be incredibly popular both in Italy and throughout the world, I have not found any videos or footage of these songs. Despite the desire for other songs from this era, this is the entire body of his work. A few things trailed this LP, but they are all pretty bad. A few of these songs came out on 12" and one is extended a few minutes, but no interesting b-side or non-album tracks have surfaced as of yet.

Ago's real name is Agostino Presta and true die hard Italo fans will know the incredible Cavalieri team is behind the curtain on this album. That is also who was behind the recent post I made for the group Nexus. This is also one of the prime works of Luciana Cirrillo, Michele Violante and a few others from other famed Italo group The Rainbow Team and the utterly amazing Electric Mind.

Get the whole album, it's WICKED.

Ago - Good Time

Steven - Quick

2011-02-23T11:03:00.000-08:00

So... the master blaster himself, the leader of the new generation funk, the innovator, the king pin pimp of sexy and the artist formerly known as...yes, you guessed it...PRINCE is playing in my town tonight. Two nights at Oakland Oracle Arena, of which tonight, Wednesday is his second show. Dang! I wish I could see him!! I mean DAYUM! Even though I'm not the biggest Prince fan in the world, come on! you gotta love Prince! I still know what a rock, funk and soul god this guy is. I mean, shit! When was the last time he played here? Ten or fifteen years ago? Crazy right? And, when will he play again? What really made me chuckle was he booked two nights separated by one day. Probably because he likes to party sooooo damn hard. One show, one day of partying, it makes sense right? I'm laughing out loud.

Prince being in town made me think about other groups and artists also from his home town of Minneapolis. Like The Time, Terry Lewis and Jimmy Jam, they all hailed from that area.
It also happens to be that this other 12 inch that I've been luggin' around is also from this same area.
This fine instrumental by Steven called 'Quick' is a good example of early Minneapolis 80's funk.
'Quick' is the flip side to 'Invitation Only' on the rare Rich Records label. It's a tasty almost under developed groove with sparse vocals in the beginning and instrumental throughout the rest. Except for the amazing and lovely whispers sprinkled here and there. Thumbs up all the way! What's so completely wicked is the syncopated bass groove, slapping away, hitting back and forth. If this kind of synth sound can be described as a space fart (which I've heard the term used before) then this song has a bad case of diarrhea. But, we like it. LOVE it. This case of space diarrhea is a truly good thing.

Steven - Quick

Roy Hamilton And Capiche - Turn Up The Music

2011-02-22T15:26:00.000-08:00

On a happy vibe with Capiche for this lovely Tuesday post. I don't know much about Capiche, but it's obvious to me that their influences lie some where between Ray Parker Jr. and George Benson. It's soft rhythmical vocal sweetness. For the record, this is not the same Roy Hamilton known as the golden boy of song, as he passed away in 1969. This heater from 1984 is on the HBS label. Again, I know little to nothing about the label or this artist, just that it's really good. The phrase 'Nice One Big Dave' on the label is a reference to Dave McAleer, who was among many things a mogul of the British music scene. Dave was also one the UK's first club Deejays and oddly enough became the manger for The Rah Band.

Roy Hamilton And Capiche - Turn Up The Music

Nexus - Stand Up (Instrumental)

2011-02-21T23:59:00.000-08:00

Although I really like the vocal version of this song, I had to up the instrumental for the fans of quality electro and proto-house music. It's a really great tune and stands well on it's own without the vocals.
I'm usually a fan of italo tunes with vocals yet, I notice a lot of DJ's that play this kind of italo usually side with the instrumental versions. Sad because sometimes the vocal version have such clever melodies and usual approach. Again, this has been a big point of mine, but you'd have to have an interest in slightly off components in vocals. The italo touch on vocals usually means heavy accents and mispronounced English. Something I've truly grown to absolutely LOVE.
Another thing that is so incredibly great about italo like this, is that even though it's raging hot disco, super slick funk, and banging soulfulness... it's so devastatingly the undeniable 'roots' of new wave.
The snappy rapid fire kick drum brings to mind the proceeding New Order jam 'Blue Monday'. The piano sets the cloud gliding mood like an unreleased Scritti Politti song. That constant arpeggiated synth rests this tune in the electro hall of fame for sure. Just a nice tune. One that I've been wanting to around to posting. One for my fans of italo disco!

Nexus - Stand Up (Instrumental)

Oliver Sain - On The Hill

2011-02-21T23:52:00.000-08:00

My first experience with Oliver Sain was somewhat checkered. I had a relatively bad first few outings when discovering his records. His first record that I found was 'Blue Max', a really cool 'looking' record with hip people on the cover dancing in some sporty dance spot. Turned out to not be the greatest of albums, probably third on his list of three LP's for my tastes. Yet, this was an album that registered a few hits for him with 'Party Hearty' and 'She's A Disco Queen' but quite possibly ended his disco efforts at the time. Then, if luck had meant for us to not meet again, I found 'Bus Stop'. Also looked promising, featuring a double exposure of people getting on a bus. This LP also had a few songs that charted for him including 'Booty Bumpin' and the title track. This LP 'Bus Stop' also prompted a UK tour and wider exposure. Again, looked a lot cooler than it actually was. Not to say that it wasn't good, just not mind melting instrumental heavy weight funk, which was what I was really looking for at that time.

Keep this in mind...these LP's are all amazing works of groove jazz and discofied funk. All of them are top notch. When I say I wasn't initially impressed, please keep in mind I am SUPER picky. Then, finally at last, I found it, the one LP with not just one, but two incredible tracks. Both a bad ass jazz funk instrumental and a deep funk club tune were on there. I couldn't believe it. Finally I had found the one and only grail of Oliver Sain. Again, not to discredit his other offerings, I have them all and don't want to part with them, so that says a lot. But, like I mention...this one LP had the 'real' head nodders and the dance floor packer as well.
So, As it turns out, I discovered these LP's in the opposite order that they were released. This LP 'Main Man' was the first to be issued in 1972. Then 'Bus Stop' in '74 and 'Blue Max' in '75.

'On The Hill' is such heavy mood piece. It slithers around like a anaconda seeking prey. Just raunchy funk. This is great soundtrack material, could have easily complimented any exploitation flick. Hip hop producers seem to agree with me, as this track has been sample a few times. A big broad bodacious mood with funk texture for miles.
The other track from this LP is the classic funk DJ spin 'St. Louis Breakdown' in which he mentions San Francisco! Both 'On The Hill' and 'St. Louis Breakdown' saw release on 45 as well as on this album.
Oliver was vital to St. Louis music history and continued to work and perform there until his battle with bone and bladder cancer was lost in 2003. He started out as a drummer and played with Little Milton, Sonny Boy Williamson and Howlin' Wolf in the wee wee early days. He later got into producing and recording and ignited the careers of Fontella Bass and Bobby McClure. Then he took to the Saxophone, recorded these LP's and never put the sax down. He also has an interesting LP from 1981 on Houston Connection Recording Corporation label which has some funky moments and some tasty sounds thanks to the ARP Synthesizer.
All in all, Oliver's contributions were high in quantity and his efforts well received. I started out probably with his most watered down and eventually got right on down to the real heavy weight nuggets with his best. Now, I appreciate his work as a whole, and as a whole lot of great sound.
Check out this cool little local St. Louis TV bit on him...
KETC - Living in St. Louis with Oliver Sain
It's cool how he mentions being into the music for the satisfaction and reward of helping another artist towards success, especially because he probably made very little money. Either way...Oliver Sain we appreciate YOU!! Rest in Peace! We'll honor you up on the hill!!

Oliver Sain - On The Hill

Nel Oliver - You Are My Dream

2011-02-21T22:32:00.000-08:00

Okay, so with a day off in my schedule I've had some extra time on my hands. Great chance to get ahead of the posts here on the blog. So, I'm gonna post a few tracks today, if time permits. Or rather, as many songs as time will allow.
Nel Oliver is a french recording artist probably of African or West indies descent. He's made some fairly amazing LP's all super hard to find over here, but more available in France. This LP, probably his easiest to find overseas, has several nice tracks all in this kind of sleepy soulful style. A groovy mellow sounding soul style is what Nel captures on this album. Another instance of excellence in lyrics sung in English yet soaked in worldly accent. NICE! There are several good treats on here...'Mama Mother', 'I Got A Flash', 'Heart Of The Ghetto' and this tune. Nel produced and recorded many artists over a long period of time at his recording studio. He's been a huge promoter and supporter of African music. He's also a big proponent of anti-piracy. Let's hope he understands his appearance here is strictly promotional.

Nel Oliver - You Are My Dream

James Brown - Funky President

2011-02-21T18:29:00.000-08:00

Nothing too unusual or 'special' about this particular Monday. Just hungover from a wild night and another incredible party at Sweaterfunk. Epic music and massive turnout. Hard to move in there last night. Nothing much on the agenda for today though. Just chilling with the wife at home and glad we're both enjoying a day off. Gonna just lay in bed and watch the tele. Later on I'm hoping to catch my new favorite TV addiction...Brick City. Not sure I can say what it is I like about the show, but oddly it fits with this Presidents day. I'm having a tough time really understanding all the animosity towards it's focal point character mayor Corey Booker and our own President on this holiday. Sure, I get the points that all my friends and associates (that are far more political than me) make and they are all valid, but wouldn't we be in a far bigger heap of a mess with McCain? It's a no brainer. I mean, at least look at how far we have come. We got a black President now! Take that energy from MLK day and spread some love. If you wanna make some changes, get active and DO IT. I understand what people are bitchin' about...he's been soft, slippery and out right lied. Backing out of deals, selling us up the river, and breakin promises. But, it's a far cry from the way things would have been. And, I still have faith. Call me naive, clueless, and un-informed but I still believe he is making a change and a difference. I think it has got to be hard as volcano rock to make some changes, and even harder after the Bush massacre. Seeing Corey Booker on Brick City makes me understand just how hard things can be to effectively bring about change.
I'm treading in unfamiliar water here, I'm not very political and don't want to get all into politics on this blog..but hey.. Let us honor the current pres for the good he has done, along with honoring the past President's on this Monday. Ya with me?
So, onto this track...

Not rare, just damn good funk. Party classic really. Back in the day, oh about 10 years ago now, this was a staple in my sets. From the Godfather James Brown of course. I have pictures and posters of this guy all over my house. George Clinton once gave JB the presidential endorsement in the song Chocolate City. And, if he were still here (and running), I'd be voting for 'im. JB has changed my life and been the blueprint for most of what I'm into. I think he's done just the same for many a funkateer worldwide. Both then and now. Would things have been the same without James? Hard to imagine really. Would someone else had discovered and pioneered the funk like him? Probably, but ya gotta give credit where credits due!
Funny how many of the things said in this song are still true and meaningful today. We have indeed come so very far, but many things have remained the same. Even as high of a regard as I have for James Brown, I still know he was a tyrant and Clyde Stubblefield has not made a dime. It's tough when you're a Funky President. Still like James sings... 'People let's get together' 'We need to make some change around here'

James Brown - Funky President

David Sea - Night After Night

2011-02-20T17:51:00.000-08:00

In the 80's David Sea was asked to join the Temptations and yet he passed on the opportunity to continue with his solo career. During that career he made excellent tracks like this, and pushed his excellent caliber of soul music right on through the 2 thousands. Many often speculate that he was born a decade late, wondering what would have happened for him in the 60's and 70's soul era. Regardless of his timezone, David has stood out with exemplary talent. In 2007 we saw two of his tunes, previously unreleased, issued on a 7 inch and put out on the Shotgun label. Both 'Let's Just Get Together' and 'Believe In Me' are fine examples of his early work. David released a contemporary LP in 2006... Check this clip for a nice contemporary soul jam with some awesome footage of the Atlanta Steppers Club. He's now currently on tour with The Temptations and still is very active recording today.

Actually I 'just' nabbed this tune and I'm happy to play it tonight at Sweaterfunk. If you're in the area don't miss it. It's a holiday tomorrow, and should be mad.

This tune was also featured on Eddy Funkster's newest mix. He's put together some of the rarest boogie funk 45's for his 'Comin' At Ya' mix. It's a list of 45's to make any modern soul and boogie funk collector drool with envy. Understand, this homie don't play. I've seen nothing but quality come from this bro, and he packs serious heat in his DJ bag.

He starts out with one of the rarest of the rare, one of thee most coveted, the Pyramid Plus 45. A tune that we were planning on posting here, just exactly as he has done...with the instrumental version! Since that doesn't surface nearly as often on blogs. Nicely done Eddy Funkster aka DJ U-Ome!
I find our interests in boogie are parallel and we often have the same records in our crates, same tunes we're buggin' about, and after the same rare shit. Aside from making usual appearances at 'Funkmosphere' and making these killer mixes, he's deep into dub step. We hope to have him at Sweaterfunk soon again sometime. To catch him in his hometown of Los Angeles just keep your ears and eyes wide open.

Eddy Funkster Aka DJ U-Ome - Comin' At Ya

David Sea - Night After Night

Glass - Getty Up

2011-02-19T00:19:00.000-08:00

Probably one of my favorite electro boogie LP's ever. This tune 'Getty Up' uses some nice vocoder and has a bubbly robotic feel. I think this was just used by Onra for a tune, but I can't verify. It's not that I can't buy the new stuff, I just haven't had a chance yet. Actually most of my cash is tied up in buying 'old stuff' at the moment. Give it 15 to 20 years and I'll be struggling to find a rare 12 inch from 2009. If even that long. This is one tune with some very clean backing vocals. Favorite part...when the bridge comes and they sing 'getty-up to-the-beat' ...very nice indeed. It does kind of bubble doesn't it? This is some serious space port action, gear up into your space suit, check your lunar landing gear, type of future funk.

Glass had this one LP and a few 12 inch releases, one of which 'Bedrock', was a minor hit for them. They were from Houston, Texas and this LP came out in 1983 on the Houston Connection Recording Corporation label. John Williams headed Glass and after the band broke up, he recorded and released several records under the names Mikki Bleu and Jonnie Baby.
You should really seek out his LP for the other tracks that are in the same vein as this tune. 'Bedrock', 'What's Your Name' and 'Stomp' are all slamming. It's a solid LP of well rounded boogie funk.
Now. Getty up to the beat. Pronto.

Glass - Getty Up

James Moore - As A Nation

2011-02-17T10:11:00.000-08:00

Like a sweet love hangover from Valentines day this tune comes as your gentle wake up music for the day. Because of our 2 year anniversary and it being Valentines Day Weekend I didn't get around to delving into more gospel music like I had wanted to. Although now it seems a bit funny because we're approaching almost a full week since then. There's been a pause in my postings and in most of my 'other' work due to some wicked head aches. I hope I've got beyond the worst of it, hopefully attributing them to some bad caffeine withdrawals.

So, on the cusp of the holiday of love...here in comes Mr. James Moore... The Reverend to be exact. From a remarkable LP coated with incredible soulfulness and amazing tunes. It's not a hard record to come by, and I think it's been re-issued a few times. It may even be available to download via itunes.
This brings into light what is actually 'in' a great gospel LP. Thankfully it's about positivity and Love. In fact, in this song, it carries on for quite a bit near the end about nothin' but L.O.V.E. so it seems fitting as our first song post-V-day. I really recommend this entire LP. There's so many other worthy tunes on here....the amazing 'I'll never, never, give up', the moving 'Brothers and sisters, I will be praying for you' and this monster groover 'As A Nation'. 'Nation' is mellow sunshine groove ripe for the summer days in the park, boasting a nice positive message. The parallels in Gospel to soul music find this tune inspired by Marvin Gaye's 'Inner City Blues' or 'What's Going On'. I suppose that's what's been so enjoyable about surfacing all this gospel music lately. Again, like I've pointed out before, it's that mostly uncovered and unexplored, secret missing chapter of American soul music. Hope you enjoy...

Oh, fuck it! I'm gonna have to do something I rarely do, or rather try to avoid where ever possible. I'm gonna have to post two songs from this. I can't just narrow it down to just the one. You really must here the title cut 'Brothers And Sisters' as well. So, here we go.
So, here's both 'As A Nation' and the title tune 'Brothers And Sisters, I Will Pray For You'

Hallelujah!!!

James Moore - As A Nation

James Moore - Brothers And Sisters, I Will Pray For You

The Charmels - As Long As I've Got You

2011-02-14T00:34:00.000-08:00

Happy Valentines Day from us here at Soundboutique to you.
No tune better exemplifies a sweet heart Valentine's gift in musical form to me. This song rocks it on so many levels. It appeases me on at least three different levels I can think of. For one, it brings me back to another era of hip hop that was truly innovative, fresh, and still creative. Wu tang sampled this song and many others like it that didn't fit the usual characteristics of sample material of the times. Their samples weren't typically funky, they ignored lead vocals that often overlapped into the beat, and mainly used samples from northern, southern and sweet soul genres. At the time of their debut LP that sampled this song no one was doing what they were. On the second hand, this is from the legendary Stax and Volt label and has a signature stamp of soul ingredients that many a soul collector have loved and treasured like no other label. Not to mention it's one of the rarer releases on the volt label. It's a beautifully recorded song, orchestrated and composed like a sunbeam from a cloud straight out of soul heaven. Everything out of Stax and Volt had incredible promise, endless talent and amazing musicianship. Thirdly, this song typifies the 'oldies' sound to me, works well bumpin out of the bombs cruising up and down the boulevard, and stands on it's own as a perfected jewel of songwriting. 'As Long As I've Got You' is quite possibly the best soul song I've ever heard. It's been re-issued, bootlegged, sampled, covered, comped, and remastered countless times. To only further prove my three before mentioned points...it's mutually loved by the 'Oldies' fanatics, coveted by crate diggin' hip hop heads, and highly regarded by deep soul enthusiasts. Loved on so many levels and desired by many a record hunter. I have it, but I'm always wishing I will find it again in a cleaner condition. It cascades through several almost perfect changes almost like a psychedelic dream. It's hard to figure where it's going on first listen, and by the time you figure it out, it's all over. I'd listen to this jam over and over. Man, I wish I could listen to the master reels on this one...It'd be great to extend it and dub it out. At least that hasn't been done yet.

Eula Jean Rivers, Mary Hunt, Mildred Pratchett, and Barbara McCoy

So, The Charmels got together roughly in 1966 and quickly disbanded a few years later. After a few 45 releases amounting to 4-6 songs and a few member changes they broke up. None of these songs ever yielded them any success and it was many years later when that story changed. Hard to say if any surviving members made any royalty cash from the Wu's C.R.E.A.M. single, but the respect and appreciation is undeniable. After Wu-tangs treatment, the El Michels Affair took a turn and burned out a nice instrumental version. I've also heard there's another version by a soul girl group that covered it a few years later, somewhere around 1971, but I have yet to hear it.

Some of the members were in the Dixiebelles and they were with the Sound Stage Seven label in the late 50's and early 60's. They then formed The Tonettes and recorded a few singles for the Volt label. Thank goodness for the 'Complete Stax/Volt Singles' for being so 'complete' and if you're interested, you can easily hear the Tonettes and Charmels offerings in the highest quality CD format in those box sets. Like I mentioned above, they formed in 1966, but had several change in members from then until 68. I'm not entirely sure who is picture tod the right, in this photo, but I'm pretty sure the names fit with the above picture. If you have more history on this fine group, knew them, or were in this group.. please get a hold of us.... we want to talk to you. We hope to feature more by the Charmels in the future, and also track down this notorious 'other' version of this song.

The Charmels - As Long As I've Got You

Cardell Funk Machine - Shoot Your Shot

2011-02-13T00:41:00.000-08:00

With it being Sunday you think it'd be time to ride the gospel train again, but I've got deeper funkier places to take you. The slow seedy funk of Cardell's Funk Machine seems fitting. This is raunchy drop top 80's funk, is perfect for cruising. The beat is mellow and the mood is pimperific. Fantastic analog dripping synthesisers over slapped up bass lines. It's sloppy, atmospheric, and down right rude. I don't think I've heard a stripped down bass and drum track sound so nasty.

This was another one I wanted to share for the anniversary party. There's some bacon gettin' cooked up around the beginning of the song. It's not mint, a bit scratchy really, but because it's so majorly rare I think its ok. I've heard that even Mr. Cardell doesn't have a copy. However, I know he's struck a deal with PPU and made a little cash from this slice of funk. I know the folks at PPU take care of thier folks and have honest business practices, something I think needs commending. I think many artists are getting more these days then when these tunes first came out. I know I bought my first copy of this on the PPU label, and maybe that's a way to ensure they get a piece of the action. I'm struggling with figuring out a way some of the artists that get exposure on this blog can make a dime or two. I'll figure it out, but I wouldn't want to scare people away with a fee. For now, we'll just stick to spreading the good word on artists that need exposure, and sharing a few offerings in hopes that consumers will hunt down and/or buy what IS available. We'll come up with something for the site though.... For now, we'll just continue to pay tribute instead of paying fees.

Cardell Funk Machine - Shoot Your Shot

Freedom - Sunshine

2011-02-12T02:13:00.000-08:00

In hope of continuing the celebration of our 2 year anniversary I come bearing gifts. Just so happens to be a track that Cool Chris has blessed us here locally with for some time now. Well, I've finally got my hands on one and now I'm giving it to you.

On the surface, its a great funk track, almost a bit typical sounding in it's formula. Definitely a monster of a funk tune. But, once it reaches the crescendo and the backing vocals take those 'sunshine' harmonies you'll realize there's more to it. Sweet horns and some jazzy almost fretless sounding guitar riffs contribute to making this more than your average funk 45. It's a bit jazzy and just the right touch of sweetness.

'Sunshine' is the flip side to 'Can't You See' by Freedom on what seems to be their own label. Don't think this group had any other releases and never got a chance to record a full LP.
Just a great little tune. Big thanks to Cool Chris for banging this one out whenever he plays records.

Freedom - Sunshine

Happy Anniversary - Here's EVERYTHING!

2011-02-11T15:11:00.000-08:00

It's now been two years of Soundboutique. Here's all the goodies thus far, starting from oldest to newest, more or less.
It's a good place to start if you are just joining us...a quickie way to get all the songs we've posted over the last two years.
So much more to come and I'm super excited about all that we have to share in the upcoming year.

Cheers, and as always...ENJOY!

The Cool Notes - You're Never Too Young
The Cool Notes - I Don't Wanna Stop
The Cool Notes - My Love Is Hot
Kay Gardner - Inner Mood 1
Kay Gardner - Touching Souls
Kay Gardner - Inner Mood 2
Kay Gardner - Lunamuse
Night Force - Hold The Night
Night Force - Nath
Don Goodwin - This is your song
Eddie 'Ski' White - Baby Be Mine
Casco - Cybernetic Love
La Bionda - I Wanna Be Your Lover
Ayisha - Space Man
One Way - Get Up
Gwen McCrae - All This Love That I'm Giving
Nohelani Cypreano - Lihue
Mtume - Hips
Satellite - You're The One I Love
OFS Unlimited - Mr. Kidneys
Supersempfft - Let's Beam Him Up
Neon - Skydiver
Rachel Sweet - It's So Different Here
Mary Love Comer - Come Out Of The Sandbox
The Funk Masters - It's Over
Willie Rosario - Que Humanidad
Jones Girls - Nights Over Egypt
Dam_Funk_Sweaterfunk_.mp3
Kim Larsen - Donnez Moi Du Fur
Escape From New York - Fire In My Heart
Lalo Schifrin - Danube Incident
Sho-Nuff - Don't Use Me Up
Z.Z. Hill - I Keep On Loving You
Don Thompson - Please Don't Make Yourself At Home
Townsend, Townsend, Townsend & Rogers - Wondering
Townsend, Townsend, Townsend & Rogers - Bring It Down To The Real
Clout - Sunshine Baby
Lynsey de Paul - Sugar Me
Ricky Clark - Flam
Ricky Clark - Flam (Instrumental)
The Mobley Gang - Groove For You
Junior Byron - Woman
Ish - Faster Than A Speeding Bullit
Ish - Don't Stop Jan Hammer - Don't You Know
Peter Brown - For Your Love
Peter Brown - The Singer Becomes The Dancer
Peter Brown - Without Love
Peter Brown - Do You Wanna Get Funky With Me
Daniel Sahuleka - Ev'rybody Feel the Groove
Mike Francis - Night time lady
Mike Francis - This love
Mike Francis - Let's not talk about it
Mike Francis - Survivor
Funky - Funky Stop
Faith, Hope and Charity - To Each His Own
10cc - Worst Band In The World
US 69 - Im A Nobody
US 69 - Yesterdays Folks
US 69 - I Hear You Talkin
US 69 - 2069 A Spaced Oddity
Suzy And The Red Stripes - Seaside Woman
Erkin Koray - Estarabim
Assagai - I'll Wait For You
Pure Pleasure - By My Side
Skye - Ain't No Need
Dwayne Omarr - This Party's Jam Packed
Van Twist - Hot Wax
Mass Production - Bopp
Barrabas - It
Standing Room Only - Star From The Sky
Chris Mba - Funky Situation
Ivan Neville - Dance Your Blues Away
Phill And Friends Band - This Man
Indigo - Be Strong
Zazu - Captain Starlight
Ganymed - Black Hole Five
Amadeo - Real Magic
Willie Mitchell - Bum Daddy
Willie Mitchell - That Driving Beat
The Barons - Making It Better
Bobby Franklin's Insanity - Bring It On Down
Eddie Bo & Inez Cheatham - Lover And A Friend
Sylvia - Sho 'nuff Boogie
Pink Rhythm - Melodies Of Love
American Gypsy - Inside Out
American Gypsy - Stuck On You
Hummingbird - You Can't Hide Love
Lyman Woodard - Creative Musicians
Eilijah Rock - Piece Of The Rock
Luther Davis Group - To Be Free
Rasa - Questions In My Mind
The Gospel Miracles - Building Up Myself
Percy And Artie Space Band - Funk With You
Charles Veal - If You Ever Need Somebody
Ultimate Choice - Get it Up
Ultimate Choice - It's Hot
Blue Feather - Shadows Of The Night
Soft Touch - Plenty Action
Danny Williams - Rat Race
Jady Kurrent Band - Standing There
Sound Advice - Keep On Getting Up
Jaye Williams - Let Me Be The One
Ben E. King - Spoiled
Freddie Hughes - Sarah Mae
Vera Hamilton - But I Ain't No More
Erma Franklin - Can't See My Way
Dwight Thompson - My Woman Is Calling
The Suttons - So Good
Sweet Stuff - Freaky To You
Linda Lewis - Peter's Garden
Linda Lewis - The Same Song
Linda Lewis - Donkey's Years
Linda Lewis - Spring Song
Linda Lewis - Reach For The Truth
Linda Lewis - It's The Frame
Linda Lewis - Feeling Feeling
Daniel Sahuleka - It's Beautiful
Matata - I Want You
Matata - I Feel Funky
Matata - Talkin' Talkin'
Matata - Gimme Some Lovin'
Erwin Bouterse & Roetoe - Groovy Weekend
Dizzy K - You
Ananda Shankar - Streets Of Calcutta
Shuggie Otis - Ice Cold Daydream
Andy Kim - It's Your Life
1. Fat Back - What Do You Want From Me
2. Fat Back - Take Your Time
Hugh Prestwood - Like A Children's Song
The Shocking Blue - Inkpot
Cuby And The Blizzards - Your Body Not Your Soul
Heaven And Earth - Feel The Spirit
Herb Geller - The Power Of A Smile
The Loading Zone - I Can't Please You
Linda Tillery - Freedom Time
Dennis Landry - Sing My Song
Tatsuro Yamashita - Solid Slider
Frieda Nichols - Sweet Peter
Kevin Johnson - You Walked Out On Me
Dynasty - Adventures In The Land Of Music
The Temptations - Since I Lost My Baby
The Metros - Since I Found My Baby
General Johnson - Don't Walk Away
The Orlons - South Street
The Bobbettes - Zoomy
Sweet Linda Divine - I'll Say It Again
Search - Is It Love
Bobby Bland - I Wouldn't Treat A Dog (The Way You Treated Me)
Broken Glass - Rather Me Than You
Lemi Aso - The Beginning
Yello - Bimbo
Gasfire - Is Our Life
Plustwo - Stop Fantasy
Fonzi Thorton - I Work For A Living
Captain Beefheart - Diddy Wah Diddy
The Poppy Family - There's No Blood In Bone
Gabor Szabo - Galatea's Guitar
Gabor Szabo - Walking On Nails
Gabor Szabo - Raga Doll
Antonio Carlos E Jocafi - Kabaluere
Jerella Hope - Funk '79
Three Ounces Of Love - Give Me Some Feeling
Three Ounces Of Love - Bet You'll Come Running
Three Ounces Of Love - In The Middle Of The Feeling
Three Ounces Of Love - Today Will Soon Be Yesterday
J.P.'s Force - Time To Throw Down
Act III - Love Power
Sam Marris - Are You Gonna Stand There
Veno - Nigeria Go Survive
Mary McCreary - Singing The Blues (Raggae)
Laura Lee - Crumbs Off The Table
The Meadows Brothers - I've Tried It All
Marvin Gaye and Tammi Terrell - Baby Don'tcha Worry
Eldridge Holmes - Pop, Popcorn Children
Jackson Southernaires - Give It To Me Jesus
'Jimmie And Vella Cameron - Be Fair To Me'
The Faith Band - Riding High
Ned Doheny - Get It Up For Love
Char - Shinin' You Shinin' Day
Odyssey - Our Lives Are Shaped By What We Love
Mellaa - Free
Now 'N - The Bomb
Vandales - Feeling Freaky (soundboutique edit)
The Floaters Feat. Shu-Ga - Make It Hot
The Equals - Mystic Syster
The Equals - Diversion
The Equals - My Life Ain't Easy
Eddy Grant - Nobody's Got Time (Torpedo LP version)
Eddy Grant - Nobody's Got Time (1980 version)
Eddy Grant - Stone Cold Cat (Torpedo LP version)
The Harold Smith Majestics - Lord, Help Me To Hold Out
Warren Burris - Get Up Off Your Love
Mac Thornhill - Boogie Fire
Exit 9 - Miss Funky Fox
The New Establishment - Ridin' High

The New Establishment - Ridin' High

2011-02-11T09:18:00.000-08:00

I scored this at one of the better record shops in San Francisco for 5 bucks. Granted it was a while ago, but still such a great shop. Wonderful really. I'm talking about none other than Rooky Ricardo's on Haight street of course. The shop is run by Dick Vivien. Dick's been supplying the local area with soul flavor for ages. I've been going there for as far back as I can remember. It's always a great shop to hit up, and I've always found good stuff there. You have to be willing to get on your knees (no pun intended) to scour and search through the endless piles. But, I've found some goodies in the stacks. Dick is always willing to keep an eye out for anything you're looking for and often is a great resource. I would imagine it's hard for him to remember everything you're after, but he definitely knows his music and will always try.

Dick is also quite the dance enthusiast and will show you how to do the Football, or the Madison, or the Funky Broadway, or the Funky Chicken..exactly how it was done back then. He's actually given dance lessons at the store. He's full of great ideas and that helps keep music alive and fresh at his shop. KOFY TV 20 had a dance show on Sunday mornings (or, was it Saturdays?) and I used to see him dancing on that show. I think they've brought the TV 20 Dance Party back? I thought I heard someone mention that recently.

Funny factoid...going way back to the early to mid 90's....I once DJ'ed a monthly party there. My good friend Seth Roehl, who was at the time, partner with Dick, and had pioneered the idea of throwing DJ nites there. Imagine that. I've still got the flyers somewhere around here.
If you're coming to the city any time soon, this is a place not to miss. I think they've kept alive by stocking good stuff, pursuing soul 45's and offering mix tapes and recordings to the local SF community.

I found this 45 in their five dollar box and thanks to some funk comp knew exactly what I had just scored. Actually I had really wanted this tune for some time. It became an anthem for me and became a tune that got played every funk party I had something to do with. 'Ridin' High' by The New Establishment is an ultra tasty rare groove bomb. It's the flip side of 'Slums Of The City' which is also gut busting deep funk (apparently NOT working on me anymore) that will pack any dance floor. But, it's this cleaner, more mellow, morality tale that captivated me. Perhaps it's the minor cordage, or the killer falsetto vocals, or the swooning harmonies. Whatever it is, it's always completely drawn me in. Released on the killer looking 'United World' label with the peace symbol in the super tight font design.
This is another one I'm happy to be posting. I did not see it anywhere else on the net or on other blogs. I wonder why. Perhaps I'm not looking in the right places. But, this is too good to just keep a secret and I'm glad to share it on SB.

Rooky Ricardo's Records in the lower Haight

The New Establishment - Ridin' High

Exit 9 - Miss Funky Fox

2011-02-10T11:28:00.000-08:00

Just recently came across this LP again and wanted to post it up here. More and more lately I've been trying to get back 'out' in the crates. I'm usually quite content with a small amount of 'field work' and prefer to 'e-dig' when the family is safe and sound asleep. But, making my way back down into the trenches has been fruitful to say the least. Not that I never get out in the stores, flea markets, conventions and so on. But, lately I've been trying to get out more often. Usually, I only see the same old stuff I already have, and because I'm not a seller, double just tent to collect dust. They do tend to act as vehicles to get posted here though.
I had originally planned this tune to make an appearance on my mix 'Heavy Duty Shit' Vol. 2, and now I'm trying to make that happen a little sooner. It also reminded me of the bluesy funk that my Brother digs, and he was just in town again staying at my crib.
He picked up the 'Light On The South Side' LP and book by Numero Group and we were drolling over it. The amazing photos reminded us of the blues bar we grew up around the corner from. I'm realizing that my snobby 'original' wax only policy is keeping me from some of this incredible stuff. The new Syl Johnson box set looks and sounds incredible. I need to get them shits!
Speaking of re-issues, this LP was origianlly released in 1975 on the Brunswick label, but re-issued in 1997 and again by Soul Brother Records in 2002. It's a fantastic LP, solid from start to finish, and containing mostly moving numbers. It's polished, powerful, brassy and funky as shit. My favorite tune is 'Miss Funky Fox' but 'Fly' is pretty dope too. To compare them to a larger mainstream group, I'd say they are closest to Tower Of Power. With a big horn section, hecka band members, a funk heavily rooted in the blues, and smoking hot vocals by Johnny Rios only solidify this comparison.

'Miss Funky Fox' is seriously glowing hot. Just the imagery that comes to mind when you hear this is incredible! I can almost see the carpet on the floor holding the drum set steady, yet it's still got that heavy movement back and forth. You can feel the mesh on the amps shaking and the hands slapping the congas. I've used this term a few times before, but Exit 9 qualify, as they sound like they're coming through with the power of a freight train. Rock solid funk here indeed.
The band members were incredibly young when the group formed and most were 16-20 years old when this record came out. An incredible offering from these young cats from New York. Exit 9 were originally called Qualified Funk and at the time of this finely produced record, they were 9 members deep, although a guest singer on one of the tunes is credited on the liner notes. The majority of these tunes are fast and uptempo and are definitely all killer no filler. It makes sense to me that this has been re-issued twice and remastered as well. Enjoy this tune from their sole LP and see what incredible potential they had.

Exit 9 - Miss Funky Fox

Mac Thornhill - Boogie Fire

2011-02-09T11:17:00.000-08:00

Mac Mugshot

I can't claim this being in my DJ sets due to my own research and digging. But, props due to the fine gentlemen Johan and Jordan also known as Tres Lingerie. With killer DJ sets, tasty remixes and a brand of their own music that's afforded them a spotlight performance on the Beat Electric Television Show they're simply 'killin' it'. I've flipped thru a few Mac Thornhill records and none have stuck out quite like this one. Thanks to Johan for playing this one out and bringing it to my ears.

This tune is brought to a simmer by lovely percussion accents and the talented singing of a mysterious 'April' who we know nothing about. It seems that the term boogie fire was adept at describing something that sets the club a blazin' even back in 1981. This is indeed 'boogie fire' and getting major play from me right now. Thanks again to Johan of Tres Lingerie.

Mac is originally from Quebec, Canada and still resides there to this day. Canadas' contributions to the grails of boogie is quite heavy including one elusive monster 'Ooh Wee Babe' by Ron Richardson and this release on the M.A.D. Label. Joe Freeman's 'Sneakin'' and Hypnotics 'Are You Lonely' are among other Quebec monsters. There is one other release on the M.A.D. label, 'Don't You Do It' from the same year, but I don't have it. 'Make Life Worth Living' released in 1983 on Savoir Faire Records is also tasty booginess by Mac. Most of his other records came out mid to late 80's and are loved in the house and pre-house genre.

Mac Thornhill - Boogie Fire

Warren Burris - Get Up Off Your Love

2011-02-08T19:30:00.000-08:00

So back to business... and back to boogie basics. Modern soul appreciation 101A. With NO pre-requisite. I'm catching a lot of flak these days for not knowing what the hell I'm talking about. Guess what? I don't. I don't know SHIT. Other than the hot ass shit that goes around the turntable and gives me that 'baby on a tit' face. Just the tunes that make me 'Goo-Goo Ga Ga' and all hairs stand up on end. Really folks, I do tend to whip things up into a meringue pie sometimes. A meringue pie of shite! Lol. Ultimately you should know that it's really just about the music. I honestly can't help with a little chitterlings and chatterlongs here and there and hopefully you won't mind. As long as we DJ for you along the way right? Dropping tasty little goodies along the way. But, onto the chuuunes.. 'cause that's the ONLY thing that really matters here at Soundboutique.

Today we have the mighty sounds of Warren 'Big-beard' Burris.
From 1988(!) this LP was only available in the UK. My goodness, it is quite an exceptional beard he has. Well, the music is perfectly groomed as well. Immaculate if you will. This funk dancer bomb 'Get Up Off Your Love' has been thrilling my heart lately and is what I will play when I can ever find my way to Sweaterfunk in San Francisco. Man, I miss that party. Perhaps I should look for an apartment in Chinatown. If you haven't been... You need to check it out. From where ever you are.... You may need to travel around the world to catch it. The best music night I've EVER been a part of. They've come super far too. From a room with me and five other DJs all just kinda standing around jocking each other tunes, nerding out. It had all the makings of another record nerd sausage fest, but turns out we knew what the hell we were doing. Vets of the rare groove game and pirates of various worlds of music came together to champion boogie music and preach it to the San Franciscans.

Turns out boogie was the dirty little secret passion and guilty pleasure everybody wanted to play but didn't. Or, hadn't hadn't found an ear for. Or, a home. Now, the guest DJ waiting list has grown to epic proportions and notables Dam Funk, Haircut, Kon and Amir, Monk One, Daz-I-Kue have all dropped legendary sets. It's been a match made in heaven for me. Playing a sound that until recently was only available via dancing in the street with winos and their transistor radios. And, this upcoming valentines day, I'm definitely digging out some tear stained soul and mid tempo lovers jams. It's gonna be sick. Come to the Lipo at 916 Grant Avenue (at Washington St) in china town SF on Sunday Feb 13 (or any Sunday for that matter) and you will have a damn good time.
Seriously, Warren...beard of the decade award. Sweaterfunk...party of the decade.

Warren Burris - Get Up Off Your Love

The Harold Smith Majestics - Lord, Help Me To Hold Out

2011-01-30T01:24:00.000-08:00

It's Sunday folks and I'm gonna drag your ass to church! Time for some more good old gospel. Today we have the mighty Majestics and their fabulous choir. Another fine presentation from James Cleveland. This song was a 'hit' for Mr. Cleveland and the Majestics, although that's hard to say that when gospel music is so separated from the mainstream. Those in the gospel recording biz know that they've been searching for their 'own' voice and challenged with reaching wider audiences. And, being subject to easy dismissal.
As many of us that have been digging through piles of soul, funk and blues from the 1950's until the mid 1980's for a long time, we're starting to feel like every stone has been turned and all the good stuff is already exposed. This is NOT true of course, but it does justify opening newer and alternate doors. Gospel is an epic oasis of great soul music. It's a mostly untapped chapter in soul and American rhythm and blues. It's been sitting patiently right along side commercial and pop offerings for as long as any us can remember. For me, it's been a great source of amazing stuff and I'm heading more and more in that direction.
This tune was in fact one of the very first gospel tunes that really opened me up. I sat in a empty three bedroom house, all alone, and grieving over the loss of a girlfriend. There I was shedding tears and realizing that the records surrounding me floor to ceiling couldn't exactly give me a hug. So, I learned a hard lesson at that young age, never place your obsessions for music, collecting or making music higher than your actual 'personal' connections with people. So it was for me. That's how it was. Record shows very early in the AM, on the phone talking about trading, hunting records down, trading at people's houses and then DJ'ing until 2am. Nothing wrong with all this mind you, but for me, I needed to apply the e-brake. But, in my moment of grieving, records did come to my aid. In particular I turned to the healing powers of Al Green. We all know he made 'make-up' music, but he was also the perfect author for 'break-up' music. Then, I flipped through a pile that I had picked up for free some where, just because they looked like they might be good. Harold Smith, The Violinaires, James Cleveland, Highway GC's, Rance Allen, and The Clark Sisters were all in this pile. All of them had the right components, similar to the funk records I was picking up, so why not?
I remember that 'Lord, Help Me To Hold' sunk deep into my chest with a potato sack full of truly moving soul. It's funky, that's a plus. Slow moving, heavy, thunderous soul music. When the singer (still not sure if it's James Cleveland or Harold Smith) comes in, it's in a commanding voice, sturdy and solid like a battle tank. This is exactly how I like my gospel...thick throated, a handful of soul claps and little tickle of B-3.

The Harold Smith Majestics - Lord, Help Me To Hold Out

The Eddy Grant Special

2011-01-29T19:07:00.000-08:00

EXCLUSIVE WORLD PREMIER TRIBUTE TO

EDDY GRANT AND THE EQUALS

Time to make way for one of the absolute and undeniable kings of music in my eyes. Often a guy who is lesser known and perhaps never really received his 'due'. I'd put him up there with some of my all time favorite top cats, Arthur Lee or George Clinton, who, in my eyes, really made tracks in their own distinct directions. Eddy wasn't a complete lyrical genius like Arthur Lee, but he could craft a catchy pop tune out of a wet paper bag. He wasn't the founding father of psychedelic funk like George Clinton, but everything he did had a 'funky' edge, even his rock and roll is tuff, soulful and rythmatical. He had some kind of undeniable energy that made everything irresistibly charming and jump right out of the speakers into your lap. Many of his songs, whether they are bubble gum pop, skin head soul, reggae, garage punk, or plain ole rock and roll, they always have another edge to them, and are seriously chock full of potent energy. If there ever was undertones to music or something you could read between the lines it was with Eddy Grant. To me, his freedom to bounce in and out of so many genres made him an endlessly invaluable innovator. I think his only downfall was staying too much in one pocket, mostly being reggae, but somehow he made that work and made tons of money from it.

We all know what it sounds like to take a walk down 'Electric Avenue' but, his rich history is seemingly unknown. I had heard faint whispers online that somewhere someone was going to release a complete Eddy Grant compilation. I forget who it was...Soul Strut? Soul Jazz? Perhaps I will beat them to it here. But, it definitely needs to be accomplished. The man deserves to be known for what is really the bigger Eddy Grant picture
He proves my 'energy' theory with an extended rap sheet of other projects. Not only has he released a ton of other records recording under different names, he's produced so much and been in so many other groups, many of us, myself included are still trying to piece it all together. I will attempt to break the ice on this fascinating untold story. No pun (he was on Ice Records for a while) in tented there.
This may take 2, 3 or even 4 parts to tell his story and post the according tracks. But, in order to do it proper it will take time. The sheer magnitude of what he's done would probably be a 15 CD box set if you catch my drift. And, I'd like to avoid the attention of any copyright infringement issues with our insignificant offerings.

First up, right down to business, from the funky era we have The Equals 'Mystic Sister' from the LP of the same name. Its frightfully experimental with it's jarring, nails on a chalkboard, type of keyboard riff that sounds as though it's partially submerged under water. Yet, the feeling is resurrected with Eddy's powerful almost shouting chants and a few funky 'well, well, wells' thrown in for good measure. Head cracking drums and some early use of synthesisers round it out. One thing about the equals I should start out with is just how amazing they look throughout time. If you have an affinity for mixed race bands that are draped in 60's through 70's rags, then they're your band. With all the UK, European and Japanese singles that were released, you've got a treasure trove of killer looking covers to collect.

The Equals - Mystic Syster

Next up is 'Diversion' from The Equals. Early fuzzy punk goodness from 1973. Pure mix of glam and punk that easily earns these guys a 'founding fathers of punk' award from me. The guitar rips like a chainsaw and the song crashes along, with mass of maracas and symbols crashing in your ears. Eddy's referencing his 'diversion' as a tale of being thrown in jail for a bit, but he's back. And, back with a vengeance in this killer 60's inspired punk stomp. I love his 'yelps', 'ahs', and 'yeows' and the general raspiness in his voice. His screaming and carrying on make young R&B punk lords The Pretty Things sound docile in comparison.

The Equals - Diversion

Another one from the early days. Brought up from the deepest caverns of garage and punk rock history. 'My Life Ain't Easy' from their first LP. Hard ass drums and fuzz guitar that sounds as if it were recorded in a distant room. All the while with well put harmonizing backing vocals and Eddy screaming on top. There's some interesting things to look at when looking at the career of Eddy Grant and The Equals and the beginning releases. Released in the same year as Sly And The Family Stone's 'A Whole New Thing' one has to question just how ready the industry was to promote mixed race groups. In 1967 when it was released, the American version on Laurie had negative and positive exposures of their band picture, and the UK version on the President label had a strangely suspect and oddly 'colorized' looking picture of them. Makes me wonder what boundaries they encountered as a group in those early days. I'd love to interview Eddy at some point and get all of this info first hand.

The Equals - My Life Ain't Easy

UK version released on President

US version on Laurie

This next classic of his was reworked through several time periods. I've counted a total of 4 different versions of the same song. There may be more, but we'll highlight 2 of the best versions of 'Nobody's Got Time' for this special. This first version is from his very first self titled solo outing on Torpedo records. It's a different mix from the 7 inch version, which is killer as well, but this version is longer and just as lethal. I'll definitely rip the 7 inch soon, because it is jaw dropping heavy funk. It's a damn hard LP to find and really shows what potential he had. It's rock, it's funk, it's reggae, it's really all over the place. But, good and interesting throughout. This LP is a super big treat for y'all. I dug around quite a bit and couldn't find any of this ANYWHERE. So, I'm pretty sure it's a Soundboutique exclusive.

Eddy Grant - Nobody's Got Time (Torpedo LP version)

Then the later version released in 1980 on the 'Love In Exile' LP which became a classic in the loft classic, disco, and cosmic DJ crowds. The dub version of 'Nobody's' is still in great demand. Haunting vocals, sweeping atmosphere, strange keyboards, and the basis for an electro orgasm you can see why. I still prefer the vocal version, just because I am EG's biggest fan. You can't beat a harmonica solo right dab in the middle. You can also see how a dubbed version could cause your head to start to cave in. It's a lethal version later available by the Coach House Rhythm Section on a Ice Records 12 inch.

Eddy Grant - Nobody's Got Time (1980 version)

Last, but not least another tune that seems to pop up here and there. I think there are three versions of this as well. This is yet another heavy treat and from this mega rare first LP 'self titled' from Eddy Grant. A monster funk tune, just raw and gritty. It's a trip to hear many of his tunes as they progressed and changed and cleaned up and got organized. These version from this album as dirty, raw and fairly unpolished. Nice! We like it like that. But, you'll see in the next part of this special on Eddy Grant what a good shave, shit and a shower can do for his tunes. We'll post up a lot more in a part two and/or three...like Black Skinned Blue Eyed Boys, Baby Come Back, Funky Like A Train, I Get So Excited, I can't See But You Don't Know, and the many other versions of Stone Cold Cat and Nobody's Got Time.

Eddy Grant - Stone Cold Cat (Torpedo LP version)

Self Titled LP on Torpedo

World Premier, shhhht. I crack myself up sometimes.

The Floaters Feat. Shu-Ga - Make It Hot

2011-01-28T23:07:00.000-08:00

Friday night funk for my Saturday night Brothers. And, sisters.
Here's a nice tough little jammie. I was playing this out quite a bit over the last year and felt it deserved a resurrection here. This tune is slammin' boogie funk at it's best. It's an epic tune as well, close to ten minutes in length bouncing back and forth from instrumental to vocal. The Floaters and Shu Ga have said to 'Make It Hot' and they have indeed done just that.

The Floaters are most well know for the chart topping 'Float On' in which they made the cheesy 'what's you sign?' rap a household skit. Rather, leaning into the mic with a deep baritone voice and stating your astrological sign. That song was parodied by everybody from Sesame Street to Cheech and Chong. Yum, a hamburger. A hamburger than gets on everything and everybody. Check it.

Originally from Detroit they started in the mid seventies and continued through the early eighties. They stemmed from the fantastic well know group the Detroit Emeralds. Even though they scored a major hit with 'Float On' they got pegged as 'one hit wonders' but, thankfully they kept right on floating on and gave us this killer LP. This LP 'Get Ready for the Floaters and Shu Ga' is from 1981. It's a little bit hard to find, and on the small indie label Fee-troit, but extremely well worth the hunt.

This tune was featured on a Truth Is Light edit, so this is also available for 10 to 12 bucks from those folks. Although, they edited it into a strictly instrumental version, and this vocal version is far more superior in my eyes.

This track seriously sizzles. If you're like me, you'll fall in love with it. When I first heard it, I had never heard something so tasty. Wicked. We hope that Soundboutique is your favorite disco spot just like they say in the song.

Straight up, not much else needs to be said other than this is my effin' jam.

The Floaters Feat. Shu-Ga - Make It Hot

Vandales - Feeling Freaky (soundboutique edit)

2011-01-26T16:54:00.000-08:00

A ridiculously infections party disco groove, cutesy little love bug style song. In fact, the guitar sounds a bit like a bee buzzing about. Not much on these guys either, just this one 45. Great vocals and a groove that you'll have to listen to over and over again to realize how layered it is. It's rich with strings, horns, and some killer flute playing. Again, another record that's layered heavily with multiple guitars. The flip side is part two, and keeps going with more of the same. This is one that may take time to grow on you. But, it's a silent deadly killer. Disco fast food if you will, engineered for your enjoyment.

Update: Right before posting this I decided to re-edit both sides together. So, now you get part one and part two all in one track. I've never posted any of my edits. Not one single damn edit. So, this is a first for this blog. Maybe, there'll be more. But, I really couldn't just leave you with only this one side of this 45. I had to share the extended version. Or, rather make it an extended version. So, here you go..my first edit on the crappy Audacity program. Somebody get me Protools or Cubase PLEASE! Again, this is a true soundboutique exclusive just for you.

I was going to ask a contest question:
Who can tell me at what point the song is edited from part one to two?
(Hint: it's not where you would think it is)
But, two major problems arose with this contest question idea.
1. I have no prize.
2. I forgot where the edit is myself!
Well, so much for that idea. But, for the first official soundboutique edit, it's freakin' CLEAN. Brand new baby spankin' clean. So, clean in fact that it's better than the original studio edit where they punch in the backing vocals. Oh, well. If you can guess it (for example...like 1min43sec) and it's close, you may win something. Or, whoever is closest, still don't know what the prize would be...but, perhaps I can whip something up. Let's just say I'm proud of myself and leave it at that.

Vandales - Feeling Freaky (soundboutique edit)

Now 'N - The Bomb

2011-01-25T21:45:00.000-08:00

Here's a cute one. From the 'We're Just A School Band' EP released in 1983. I'm not sure what they're saying in this one, I can barely make out the lyrics. What I can make out is cool enough. But, for some kids they come up with a nice lil' art-disco-rock thingy and it's quite charming in its own goofy way. I don't know why but these kids seem to be influenced by The Clash more than just a little bit. Don't you think so? Not sure what it is that makes me think that, but it's odd enough, punk enough, and funky enough that somehow that makes sense. Perhaps its the echoing sax solo. Maybe it's the lyrics about bombs and revolution. Kids make the freshest stuff, totally new, hybrid and free of conventional rules. Other than that, this tune is WICKEDLY African sounding, almost highlife disco funk if you will.
Rad picture sleeve with them on the cover in the early morning mist, maybe in their school yard. Would kill to hear the story behind this one, and how they got to make this record. Teachers are rad. Teachers are rad. Teachers are rad. Especially if they help kids make reckkids!!!!
From the looks of the names they are dutch, but they're a cool looking diverse bunch. I love how Bass is Bas, Guitar is Gitaar, and if you want me to Zang you a tune, you'll soon learn I'm not the best Zanger. Reminds me of something out of 'I Love You Man' like, when I slappa da bas.
Mon.
So, if you were in this band or had school mates that cut this record give me a call! I wanna talk to you. And, if you've never heard of these kids like me, take a listen to this number and see what these cool kids came up with. 'So when I try to change the subject......' La la la. I'm pretty sure it's like nothing you've ever heard before.

Now 'N - The Bomb

Mellaa - Free

2011-01-24T00:01:00.000-08:00

Mellaa has this killer 45, which both sides are exquisite in my eyes, and one other boogie jam on the rare and sought after Budweiser label. Here we have two sides of brilliant underground soul on one of my favorite labels, Larc. Part of doing this blog and uncovering these obscure artists is sometimes there's not much to share. Except the actual music itself. Just happens to be I know nothing about Mellaa. Just that this seems to fit yet another 'catagory' I learned from (again) the Japanese record cats. 'Free Soul' much like 'Modern Soul' seems to be a really loose term and can be from a range of decades. A lot of times it just fits for everything that doesn't fall into another obvious category. But, there is something uniquely 'free' about this 'Free Soul' tune other than it's obvious title. It's kinda jazzy, kinda soul, and rather strange. But, completely dope nonetheless. This tune travels around a bit jumping from thing to thing all in a carefree way. Part of enjoying it, is not knowing where exactly it will end up. All of these elements are traits of what 'Free Soul' means to me. Seems like this is a logical answer and segue from the last Odyssey post. I hope you enjoy.

Mellaa - Free